Anna Steele Interview

Creative Director/Photographer/Retoucher: Elena Efanova @efanova_photo

Wardrobe Stylist/Female Model/Makeup Artist/Hair Stylist: Anna Steele @hatenxthing

There are muses who step in front of the lens — and then there are forces of nature like Anna Steele, who claim it. With an aesthetic carved from gothic elegance, seductive power, and unshakable calm, Anna transcends the definition of a model. She is both mystique and magnetism — a modern femme fatale whose presence lingers long after the shutter clicks. In this exclusive interview, Anna opens up about her visual evolution, the magic of self-expression, and the gothic energy that fuels her.

Wardrobe Stylist/Female Model/Makeup Artist/Hair Stylist: Anna Steele

Creative Director/Photographer/Retoucher: Elena Efanova

Your look is striking — a bold mix of gothic elegance and alternative rebellion. What first drew you to this aesthetic, and how has it evolved over time?

I’ve always felt drawn to gothic style and fashion, ever since I was a child. Gothic has held a special place in my heart for as long as I can remember. Something about it seemed so beautifully mysterious and elegant to me. Over time, I explored many variations — Victorian gothic, gothic Lolita, mall goth, gothic metal — each helping shape who I am now. It’s been an evolving journey, but always rooted in dark beauty.

Tattoos can be deeply personal. Which of yours holds the most meaning, and what’s the story behind it?

I love all my tattoos, but the Lilith tattoo on my left arm is the most meaningful. It marked a turning point in my life — the moment I chose to step into tattoo modeling. The figure of Lilith carries deep spiritual symbolism for me: female strength, beauty, intelligence. She reminds me to channel my inner Goddess energy every single day.

In a world that often tries to polish or soften everything, you embrace intensity and edge. What inspires your visual identity and modeling persona?

For me, expressing myself through visuals is an essential part of living, not just modeling. I want to show that you can be edgy, bold, and unapologetically yourself — while still being deeply artistic. There’s power in embracing your true nature and letting it shine through your style and presence.

How do you prepare for a shoot that’s especially dark, sensual, or avant-garde? Do you have a ritual, a playlist, or a mindset you tap into?

I always dive into visual inspiration beforehand — dark art, gothic photoshoots, anything that sets the mood. And music is key. I love listening to gothic metal playlists, especially Type O Negative — they can instantly make you feel like a vampire queen with the very first chord.

The gothic and alternative scenes are full of symbolism — from lace and leather to crosses and chains. What fashion elements or props do you gravitate toward, and why?

I absolutely adore symbolism in the gothic scene — it’s a powerful language in itself. I gravitate toward accessories like chains, crosses, ankhs, and leather pieces. I also love the sensuality of latex and PVC, especially for more fetish-inspired shoots. They let me express duality: elegance with a bite.

Has your body art ever clashed with traditional fashion industry expectations? How have you navigated that tension — or turned it into power?

Interestingly, I had no tattoos when I first started modeling. I made the conscious choice to transform into a tattoo model once I felt truly ready — and I’ve never looked back. So far, I haven’t faced much backlash. There’s growing acceptance and appreciation for diversity now, which works in my favor.

Who are your biggest influences — whether from fashion, music, film, or subculture — and how do they inform your modeling work?

Gothic metal bands like Type O Negative have had a major influence on me. I’m also inspired by classic vampire films and novels like Interview with the Vampire and Queen of the Damned. In fashion, I admire designers like Rick Owens, Vivienne Westwood, and Rei Kawakubo — all visionaries in their own realms.

There’s often a deep confidence in the way alt models express themselves. What does self-expression through modeling mean to you personally?

It means I can be truly myself. I don’t hide behind a character — I become a creative extension of myself, almost like a fantasy version of who I am. It’s a full symbiosis between look, emotion, and energy. It’s freedom.

What role do vulnerability and strength play in your modeling? How do you balance being raw and real while also curating a powerful image?

For me, it’s about not overplaying. I don’t aim for exaggerated emotion or chaotic movement. My style is calm confidence, exquisite femininity, and a subtle but seductive power. I want to be collected, in control — and make you feel that.

If you could create your dream shoot — full creative freedom — what would it look like? Set the scene for us.

I would love to create a shoot centered on a mystical creature in the woods. Something witchy, dark, and dangerous — but irresistibly beautiful. Nature has a sacred place in my heart. Shooting among ancient trees, feeling wild and untamed, would awaken so much inner energy and creativity. That’s where my soul feels free.

There’s something spellbinding about Anna Steele — a rare blend of depth, presence, and visual command.

She is a muse not because she asks for attention, but because she owns her space, her silence, her power. In a world of overexposure, Anna is a quiet storm — and one we’re honored to witness.

SOTIRIOS ZERVOPOULOS INTERVIEW

Sotirios is a visionary fine art photographer whose work transcends traditional portraiture, delving into the realms of darkness, beauty, and raw emotion. With a signature aesthetic that merges theatrical storytelling with haunting elegance, he crafts images that are both evocative and deeply symbolic. His photography is more than just visual artistry—it’s an exploration of loss, passion, and the human experience. In this interview, he offers an intimate look into his creative process, revealing the inspirations, techniques, and philosophies that shape his striking body of work.

What drew you to the dark aesthetic in fine art photography, and how would you define your style?

I always had an affection for fine art. Ever since I remember myself with a camera, I remember trying to imitate a style that resembles dark aesthetics and fine art. But eventually, this aesthetic came naturally. I guess, it has to do with the experiences that each creative has. And mine, drew me here.

How do you balance the elements of darkness and beauty in your fashion and portrait work?

I always try to include theatrical elements in my photography and try to imagine the outcome of each project beforehand. I see myself more as a storyteller than a photographer. But each story needs a certain balance. It is like writing an essay. You do not have to use too many words or jargon. You just need to find the right words and you need to fight it so you can get it right. So, in each photo, if I use too many different elements or include too many props, then the outcome will feel overwhelming. I guess, you must know when to stop adding something in each project.

Your images often have a haunting style. Where do you draw inspiration from—films, literature, or personal experiences?

Most of the times I am getting inspired by personal experiences. Recently, I lost a person that heavily influenced my art. I guess my projects are something like their legacy. The way I see it, is that I created a world in my art. But this world, since it stems from loss, it is covered in darkness, and it is stained in crimson hues (that is a personal taste). There is a haunting element in this world, and I try to show it in my projects. One way to see it, is maybe how I deal with this loss, which made me discover different parts of myself.

How do you approach lighting and composition to create the dramatic mood in your work?

I have a small home-studio, and this is where I do most of my projects. I use two strobe lights and a reflector. This is more than enough to get this aesthetic. Now, when it comes composition, I try to include theatrical elements that usually symbolize something for me. Most of the times it is something personal, but art is universal. So, the viewer, is welcome to interpret what he sees based on their own experiences and feelings. For example, a red rose might represent the past. The loss I mentioned earlier, while a blue rose might represent the future. The viewer though, might perceive them as something else. Maybe just two beautiful flowers or a statement, like there is beauty even in this darkness I try to show with my work.

When working with models, how do you guide them to embody the emotions and themes you envision?

It is very important for me to have a story behind every project. That is the reason why I spend a lot of time trying to shape this story before I organize the photoshoot. Then, before the photoshoot, I sit with the model and tell them this story so they can be part of it. I am asking them which emotions I would like them to show (e.g. grief, loss or frustration). Then, during the photoshoot I let them improvise so they be part of the role and add their touch to the project. You see, I always believed that photography is like a tango. It takes two to dance.

What role does symbolism play in your fine art and fashion photography? Are there recurring motifs in your work?

Symbolism is very important for me. Every single prop and element I add in my art symbolizes something for me and I cannot imagine myself without them. For example, I use crimson hues in most of my photos. Sometimes they are not immediately visible. Other times, they are, like a red veil or rose. Red is a powerful colour, even though it symbolizes loss for me. So now you know. Every time you see red hues in my photos you understand what it means.

How do you incorporate post-processing and editing techniques to enhance the dark and ethereal quality of your images?

Editing is very important, and it is inextricably linked with photography in my opinion. You can take a dull and “boring” photo and create art with proper editing. I spend quite the time in editing and post-processing to see this outcome and try to take care of minor details that most people might not even notice. But they are there. Even the slightest shadow plays its role.

What are some of the biggest challenges of working in dark fine art photography, and how have you overcome them?

I guess the biggest challenge is finding the right collaborators and understand how to play with lighting. Once you figure that out then the rest are easy. Well, except the story. You also need to work on that before each project. After these things then the sky is the limit.

How do you see the intersection of dark aesthetics and mainstream fashion and beauty photography?

That’s an interesting question. I strongly believe that both can coexist even in the same project. But as I mentioned earlier. You just need to find the right balance of both. Then, the outcome, can be splendid.

What advice would you give to photographers looking to develop a signature dark aesthetic while maintaining commercial appeal?

There is only one advice I can give. Invest time and experiment a lot. And finally, find a muse and let her change you art.

Sotirios’ ability to weave narrative and emotion into his fine art and fashion photography sets him apart as a true storyteller behind the lens. His dedication to symbolism, composition, and the interplay of light and shadow results in images that linger in the mind long after they are seen. As he continues to push the boundaries of dark aesthetics while embracing new artistic challenges, his work serves as a powerful reminder that beauty can be found even in the deepest shadows.

Photo: @sozerv

MUA: @my_colorful_life_mua

Model: @lilianrose_vongoeren

Dark angel

Cr Dir & Photo & Retoucher: @soulyourasblack

Stylist & Model & MUA & Hair: @hatenxthing

Via @officialkavyar

Dusil Photography Interview

In the world of fine art nude photography, few artists possess the unique ability to blend technical precision with deep emotional resonance. Dusil Photography, a name synonymous with breathtaking imagery and unparalleled craftsmanship, stands out as a beacon of creativity and passion. From his humble beginnings, inspired by the pages of Playboy, to his celebrated status as a master photographer, Dusil has consistently pushed the boundaries of artistic expression. His work is not just about capturing the human form; it's about revealing the very soul of his subjects, creating a powerful and intimate connection between the viewer and the photographed. Join us as we delve into the mind and process of this extraordinary artist, exploring the inspirations, challenges, and philosophies that define his remarkable journey.

What inspired you to specialize in fine art nude photography?

A: My photography journey began at sixteen when I subscribed to Playboy. The visual content was certainly a motivation and it led to relentless mockery from friends and family, with comments like, “I guess you subscribe to Playboy for the articles?!” Anyone who bought Playboy certainly heard that one.

I can honestly say that I read every issue from cover to cover. Even today there’s a lot of truth to this sarcastic dig, especially considering that only about eight percent of the entire magazine has nude content. Regardless, I dreamt of being a Playboy photographer, and in high school, I even convinced a few girlfriends to photoshoot with me and my humble Ricoh 35mm camera.

In 1996 I bought my first SLR – a Nikon F90. This kicked off a semi-serious journey into the creative arts. My girlfriend at the time worked for Ogilvy & Mather, so she invited me to be one of their official photographers at a few events. One was a Prague fashion show in November 1997 where I had a chance to photograph Karen Mulder.

How do you create a comfortable and safe environment for your models to express their vulnerability? 

Capturing my model’s soul requires me to overcome three obstacles: First and foremost, I need my model to relax in my company. I do this by establishing a genuine and personable connection; Secondly, I try to bring out her inner confidence. When she feels my confidence, it will help to reveal her own. Thirdly, and most importantly, I need to find a way for her to trust me. Getting through all these steps is a tall order, but in most of my sessions, I can get there within the first hour.

To capture the beauty of the female form is a privilege. Exposing her vulnerability is an honor. Giving me her soul is the greatest gift.

Can you describe your creative process from concept to final image?

A lot of my inspiration comes from the best fine art photographers around the world. When I review their portfolios I envision how they set up their scenes. Duplicating a great pose with a new model and different backdrop creates a brand-new opus.

Logistically, as I prepare my studio for a photoshoot I plan a posing flow to minimize any set changes. I usually stick to my plan but sometimes a spark of inspiration from my model dramatically changes everything. Thinking ‘outside the box’ is one of my biggest challenges, so when she offers a new approach I always welcome her suggestions with an open heart. It’s often a new perspective that I hadn’t considered.

When my model arrives at the studio then the first hour is allocated to relaxing. This starts with a cappuccino, chatting, and checking out her outfits. This helps to prioritize what she’ll wear throughout the session. Shooting then starts with a warm-up. At first, I let my model do her thing with little direction - to see how she flows. We’re still getting to know each other so I don’t want to push an agenda just yet. Once the session takes on its momentum then I begin to provide some direction. The tail-end of a 3-hour session is usually the best. By this time we’re completely comfortable with each other. I usually get the best photos in the final hour.

I try new approaches with every photoshoot, pushing the envelope to improve my skills. I don’t fear failure, so experimenting is always on the agenda. It’s sometimes unnerving to try something out of the ordinary when you have a model waiting for me to give her direction. “What would a great photographer do at this moment?” I often ask myself. 

Each photoshoot takes 18-36 hours of investment in post-production editing. I have a very specific workflow that has evolved over the years. It’s documented here: https://www.dusil.org/professional-workflow/. Long story short: I go through three main phases of my post-editing workflow. Each phase has many steps. I don’t like to cut corners. Each session is like raising a baby, and I want to nurture her to the best of my attention and abilities. I am proud of my work, and I enjoy every minute of it. When I point my name on something, then it needs to be my best work. I’m in sync with every artist in the world who truly appreciates the tens of thousands of hours they’ve invested in developing their craft.

How do you capture the deep emotions and sensuality of your subjects in your photographs?

I believe that the only way to be good at fine art nude photography is to capture my model’s spirit. In an 80/20 world: 80% is emotion and 20% is technique. Eyes are the gateway to the soul, and so the lens is my gateway to her eyes. All emotions are revealed when the depths of her soul are staring deep into my lens. She may be happy, sad, confident, or insecure. The camera sees everything and the lens doesn’t lie. For this reason, it’s vitally important for me to create a positive and trusting environment.

What challenges do you face in fine art nude photography, and how do you overcome them?

The success of every photoshoot centers around trust. By being genuine, personable, and professional, I usually get to an amicable level of trust in the first hour of a session. Aside from that, my biggest challenge is to convince my model to open her heart. Asking to reveal her inner spirit for a brief photoshoot is a tall order. I want her to trust me, to find her confidence, and to relax. Essentially, I’m asking that she open her heart to a stranger. Some models know exactly what I mean. Others have no idea what I’m asking. From their vantage point, they say, “I’m here. What more do you want from me?” They don’t see my dilemma. It’s like trying to explain colors to a blind person.

In some cases, I need to navigate through virtual walls that a model has built over time. Barriers that have been erected over the years to protect her from the world. Sometimes these virtual walls are rooted in childhood trauma, insecurity, or just the trials and tribulations of life. Some walls are taller and thicker depending on their past experiences. In many cases, she won’t even realize they exist. Her walls have existed for so long that they’ve become transparent. A photographer who lacks empathy won’t even notice.

How do you ensure that each photograph tells a unique story about the model?

Even though I plan every photo shoot, my best results are organically inspired by our synchronized emotions. It’s rarely about the mechanics of the poses, lighting, and backdrops. Everything is about giving her soul to me as her photographer. The catalyst for the best images is shared empathy. I want each model to give herself to me completely because I’m doing the same in return – no inhibitions, no distractions, no insecurities. Purity from the depths of our souls. Even if I get to this stage then I don’t stop there. My ultimate goal is to capture her visceral energy – her wild and feral emotions that are rarely seen by anyone. Getting to this level is extremely rare, but if I succeed then our photos take on a whole new meaning.

Can you share a memorable experience or moment from one of your photoshoots?

There are so many memorable moments from my photoshoots, they deserve their novel. I make a concerted effort to understand the nuances of my model’s personality. I want to appreciate her as a vulnerable human being. I shun photoshoots that feel like sterile business transactions with a ‘this is business, not personal!’ vibe. I never want a model to pose in a virtual bubble and me at the other end of the room in a separate bubble. I try to avoid such photoshoots at all costs. I want every session to be an existential experience. I want us to become friends and for both sides to respect each other’s sensibilities.

How do you balance the artistic aspects of your work with the ethical considerations of nude photography?

I respect each model’s limitations in a photoshoot. Sometimes these limits are clear before showing up to our session. Other times we need to discuss these nuances at the beginning of the photoshoot.

Over the years I’ve realized that there are three types of models: Those who love the art of creating magic through photography, those who just want to be paid and don’t care to receive the photos, and those who love both. I get the most joy from models who love the collaboration and can’t wait for me to send them our photos. My biggest reward is when a model tells me, “Wow, our photos are awesome! I can’t wait to shoot with you again!”

I respect each model’s time and effort. I want her to love the experience and the photos that we created together. My hope is that they’ll be shared with pride amongst friends, family, or her social channels. If I can get them published, that’s icing on the cake. I fully understand that each model has its limits, so if our styles don’t match then it’s fine. Revealing one’s soul is a level of vulnerability that’s not given easily and can exceed one’s comfort zone. If we mutually agree that my theme is beyond her boundaries, there are no hard feelings.

Many of my models return for follow-up sessions because of the mutual trust we’ve established from previous sessions. I pride myself on being genuine, personable, and empathetic to my models.

What role does compassion play in your approach to capturing feminine beauty?

When a photographer and model have empathy, they share a connection on a higher level. If I succeed in capturing a model’s emotions then my job is done. I need to “feel” her emotions for that to work. Without empathy, this emotional layer can’t be harnessed. Without empathy, this crucial layer is invisible. Likewise, if the model doesn’t have empathy, she’ll lack the intuition to share in a spiritual connection. By staying within the confines of her protective walls she relies solely on her physical presence, expecting that to be sufficient. But it’s just the starting point. The best fine arts photography is when the photographer and model share an authentic and emotional connection.

How do you see your work evolving in the future, and what new projects are you excited to explore?

My dream is to travel the globe and photograph gorgeous models from all cultures and ethnic backgrounds. Over the years, I’ve amassed a database of international models. When have enough contacts in a given location then I try to plan a photo shooting visit to their city. At the moment, I’m planning shoots in Tokyo (Japan), Toronto (Canada), Berlin (Germany), and Milan (Italy) before the end of 2024.

Dusil Photography's journey through the world of fine art nude photography is a testament to the profound impact of genuine connection and artistic vision. His ability to capture the essence of his subjects, to evoke deep emotions and tell compelling stories, is a rare and precious gift. Through meticulous preparation, empathetic engagement, and an unwavering commitment to authenticity, Dusil has crafted a body of work that transcends mere imagery, becoming a powerful narrative of human vulnerability and beauty. As we conclude our exploration of his artistic journey, we are left with a profound appreciation for the dedication and passion that drive his craft. Dusil's work not only enriches the world of fine art photography but also inspires us to see beyond the surface, to the soul within.

SHADU

«Аrtists should convey the message that despite differences, people all over the civilized world have many beautiful things in common!»

The Ukrainian artist exclusively spoke about her new musical direction and whether she will return to shooting fashion videos, which until recently have been garnering millions of views on TikTok.

1. In addition to the vocal path, you decided to add dj-ing. Why did you and what was your motivation?

Synth pop and electro pop are two genres of electronic music I have always loved.  I love the fact that there are so many different genres in electronic music. It has always been my wish to cross borders and be an international artist - to reach the audience in Ukraine and all over the world. A Ukrainian example of this is Artbat, one of the most popular DJs and sound producers in the world. About DJing - as a musician I've always been interested in playing new instruments - first violin, then guitar, then piano! I've always been into DJing, so I decided to add it to my list.  As soon as I started to pay more attention to it, I felt that this direction is so exciting and inspiring for me - I don't know how I lived without DJing before. I will definitely do a combination of djing and singing. I think people will love this mix.

2.  Since your songs have been on the world charts, do you get letters from your international fans?

I get letters from people from different countries who like my production! I think that the charts are an indication of the listeners' interest in my work. I'll keep doing my best to release good, quality and modern music! I don't want to stand still and I will continue to expand my audience even more.

3. Among all Ukrainian artists, you are probably the only one who always wears designer clothes. Is it easy to find ideas for new looks? How does it work?

I have always been a fan of fashion and stylish, flamboyant looks! I really appreciate that I can afford to look how I want to and not how society expects us to. This is the first reason why I have designer costumes made just for me! The second reason is that I am not tall and very often things in showrooms simply do not fit me, because unfortunately brands sew on the average human height - 170 cm. In my opinion, this is a big mistake! Because nobody is perfect! Not all people are thin, not all people are tall! All my looks are created by my director Aisha Milevskaya! I am lucky to have such a talented person beside me! The way she sees me, the costumes she creates for me, I consider the highest level of talent and art!

4. The global market is evolving rapidly. What do you think an artist/blogger should look like in 2024? What should they carry and what are the main messages of their work in your opinion?

The whole world is in a state of uncertainty now, and people often do not feel as comfortable and safe as they used to! I think artists should convey the message that despite differences, people all over the civilized world have many beautiful things in common! And this can unite people and lead them to the brighter things within! Music can start to change the world for better!

5. In one of your interviews, you said that you were going to go back to making fashion videos when the time came. Because your previous videos had million views in TikTok.

Since the beginning of the full-scale Russian invasion, neither I nor my subscribers had time for fashion videos, so I spent a long time shooting political videos and leading the information front. But after a while my followers started asking me to put fashion back on my blog because they realized that war is a long-term thing, that we need to live here and now and look for some positive things in this life. I am very happy about this, because for me fashion is not just a thing! It's about feeling, it's about being inspired, it's about creativity! I plan to make even bigger fashion videos in the future! Take them to a whole new level by combining music and fashion in one video!

ANGELA

«Music for me is freedom»

Ukrainian singer ANGELA talked about her first performance on stage, where she received her education and how she started her career as a singer.

When did you realize that you wanted to be a singer?

As long as I can remember, I always sang. My first public performance was at the age of four, when I went to kindergarten in Zhytomyr. My compatriots still remember, during meetings they talk about my first appearance on stage. My first performance in front of a large audience as a singer was on the podium. In the program of the event, it was not written that I should go to the podium and sing. It was my initiative, most likely — my improvisation! After all, I forgot the words that I had to say after the presentation of the swimsuit series. My colleagues from the podium were immediately surprised that I also sing well. After all, I never told them about it. A week after the show, a glossy magazine with my photos was published. In the article, you could read about the collection of swimwear, dresses, about the music break of the event and about the "singing model in the image of an angel». Currently, I have more than 30 works in various formats: from Ukrainian songs to  modern original and experimental music. I still supplement my concert repertoire with Ukrainian songs. I have a desire and great potential to do what I love, giving the public my talent and the warmth of my soul. I am ready to share the secrets of professional skills with talented youth and do not forget about the popularization of Ukrainian national art

Where did you get your education?

She studied music from an early age, in particular, she learned to play the piano at a music school. I played beautifully, my teachers were sure that I would become an outstanding pianist in the future. But I myself decided to be a singer.She received her professional education at the Taras Shevchenko KNU with a diploma of financier, but she never worked in her profession for a day.

Office work is not for me

How did you start your career? Who helped in this?

I started playing music at the age of 8. My dad is a musician, so I had someone to emulate. Music for me is freedom. Music will always support you and it doesn't matter if you are a child or an adult, it knows the way to every heart

I am impressed by artists not only as characters, but also as strong-willed people with principles and values. This list definitely includes Rihanna, The Weekend, Adele, Bruno Mars, Lana Del Rey. The main qualities that help to achieve the goal are hard work, talent and creativity

You must be an interesting person, because there are already so many different artists. Only when I had the opportunity to work in my profession and help my country at the same time, I came to life

It keeps me going today. Because I have the opportunity to work on the music front. We can be useful to our country. We will definitely return and rebuild our country, live in a free and independent Ukraine! This is our dream and goal!

Describe who ANGELA is?

It all started in early childhood with a simple desire to be happy.

It was the songs that I associated with a feeling of joy: the music played — everyone was dancing, singing, having fun. As a child, I liked to play actresses, singers and models. My father often called me an artist in my childhood! Fortunately, with an attractive appearance and a model walk, you can realize yourself in many ways

I chose a modeling career, after which I began to focus more on my development.

When I was offered to become the advertising face of a beauty salon, I was very happy. After all, I started making money in the modeling business

After successfully participating in beauty contests, I thought I would only be a model, but then I started writing songs

People, listening to them, asked me: "And when to sing? You have such an angelic voice! And songs! I want to live under them."

It was after that that I began to sing them and realize myself as a singer

We created a special stage persona under the pseudonym AngelA. The songs I write are related to me in one way or another. And now I know for sure: everything is possible, the impossible just takes a little more time

How do you choose your songs?

I don't choose rhymes specifically, I don't sit up at night, I don't think about which word to insert… It's just that this process happens by itself. I can't explain why. Well, for example, you are lying in bed, falling asleep and suddenly inspiration comes.  A rhythm, a poem begins to emerge in your thoughts, you write it down, and then you make a song in your free time. I perform and invent songs in the style of pop, Euro-pop. It's something I'll always be high on, something I'll sing anywhere.These are usually tracks with a good melody, an unusual beat and meaning But, of course, I always have jazz. This is the best music, which is the basis, on which you should learn to sing and develop your taste and skills

I don't write music for clubs or a good addition. It must be heard and felt

If you weren't singing, what would you be doing? What are your hobbies?

I really like to paint outdoors when I'm not working. I try to do this once a month. I paint outside, because I instantly develop an allergy to the smell of paint indoors.

I also like to travel and do sports in my free time. I enjoy spending time with my family. Sometimes we get together as families with friends, we spend time having tea — these are my hobbies.

To cheer myself and my friends up, I shoot interesting videos on my phone, which I later post on the Internet. The videos suddenly started getting a huge amount of views, turning my fun hobby into a profitable business, making me one of the most popular vloggers in the world. At least there will be something to remember in old age!

https://www.instagram.com/angelasinger_/

https://www.youtube.com/channel/UCvRQ4FNB7zd_4Kk2v3nSYiQ

INSIDE OF ME

Model: Model Maria Cervera @mariiacerveera_01

@mariiacerveera_01

Creative Director/Photographer: Alfonso domingo

@alfonsfoto

https://www.facebook.com/alfonso domingo fotografia

Makeup Artist: Makeup Artistic: Joana Cervera @joanaacerveera

@joanaacerveera

Accessory Designer/Fashion Designer: Creativvo

@creativvo

Hair Stylist: Stylist: Montse Calatayud @montsecalatayud75

@montsecalatayud75

ALFONSO DOMINGO INTERVIEW

Alfonso Domingo a remarkable talent in the world of photography. Hailing from the enchanting city of Tortosa in Spain, Alfonso embodies the essence of creativity and dedication in his craft. As a versatile photographer, portraitist, advertiser, and fashion photographer, he has captivated audiences with his stunning visual narratives that transcend boundaries and evoke profound emotions.

How did you develop your passion for photography, and what inspired you to pursue it professionally?

My passion for photography began when I was very young. My father was a portrait photographer, and it was in the year 2000 when I started my four-year studies and internships at the IDEP image school in Barcelona. Back then, everything was analog: cameras, developing, printing.

Can you describe your preferred style of photography and how it influences your work?

I specialize in advertising and fashion photography. Also, recently, I've started working as a videographer and filmmaker. I work for some agencies in Barcelona, and it truly is a job that, apart from liking it, requires a lot of preparation, time, and equipment for each session.

Share a challenging situation you encountered during a photo shoot and how you successfully navigated it.

During an outdoor session at sunset, one of our flashes broke, and the session required artificial light. We had to improvise, using the headlights of one of our vehicles to create a lighting effect and using pieces of cardboard to direct the light and synchronize it with the other flash.

How do you stay updated on the latest photography trends, techniques, and equipment?

There isn't a day when I don't read articles about photography; photographic equipment, fashion magazines, social media, etc. I always try to stay up to date. I like to share experiences with other photographers and learn more every day.

Can you discuss a project where you had to collaborate with a team or clients, and how you managed the creative process?

Last year, I presented a fashion film "BEAUTIFUL", it took me almost two years to make it. For the project, I needed twelve models, various locations, stylists, makeup artists, contributions of dresses from several sector stores, as well as horses and filming permits. A lot of patience. And above all, organization, because it was very difficult to shoot some scenes, and many had to be repeated on subsequent days.

What role does post-processing play in your workflow, and which software tools do you prefer?

Nowadays, for the production of advertising work, it is necessary to work with editing programs such as Photoshop for photography or Davinci Resolve for video. In my case, I use them quite a bit, and the client also appreciates it.

How do you approach capturing and conveying emotions through your photographs?

For me, photography has been an artistic escape and a daily exercise in perseverance, creating and maintaining a photographic style that defines me, observing and growing with each of my sessions, educating my eye every day to achieve the best results for my portraits, seeking this natural aspect that makes us all different, insisting on searching so that I believe that this expression, look, or smile of each of my clients is theirs, analyzing each composition, location, light, and above all, having good artistic direction. Every photo has to convey what you're looking for.

Share an example of a project where you had to adapt to unexpected circumstances or challenging environmental conditions.

Starting a session and having it start snowing, enduring the cold and quickly improvising each scene.

How do you handle feedback or criticism of your work, and how has it contributed to your growth as a photographer?

Well, I love it when people criticize my work. I'm the first to criticize every job I finish; I always see room for improvement.

In what ways do you use social media and online platforms to showcase your portfolio and connect with your audience?

I believe that social media has helped a lot for those of us who work in images; they make you known, and nowadays, it's impossible to be without them. Competition pushes you to excel, and you can prevent plagiarism.

As we draw the curtains on this insightful interview, it's evident that Alfonso Domingo's journey in photography is not just about capturing images but weaving stories that resonate deeply with the human experience. His unwavering passion, adaptability, and commitment to excellence serve as a beacon of inspiration for aspiring photographers worldwide. We eagerly anticipate the continued evolution of his artistry and the mesmerizing tales he will continue to unveil through his lens. Thank you, Alfonso, for sharing your insights and enriching our understanding of the art of photography.