Oliver Rindelaub Interview

Photo: @oliver_rindelaub

Model: @cassidyrose_ofthedevilsgarden

Model: @lady.kikki

In the world of photography, every artist has a unique journey that shapes their creative vision and craft. Today, we have the pleasure of speaking with an exceptional photographer whose passion for fashion photography began in high school and has evolved into a career filled with captivating editorials. Their journey from commercial photography to the dynamic world of fashion allows them to create more than just images—they build stories, seamlessly blending the art of lighting, composition, and concept. Join us as we explore the creative process, inspirations, and challenges behind the lens with this talented photographer.

1. Can you share the story behind how you first discovered your passion for photography?
   I started photography in high school and took an apprenticeship in a studio for commercial photography. Many years later, in 2017, I found my passion in fashion photography since it is more than simply taking portraits. It adds elements of product photography and aspects of the world we live in.

2. What themes or subjects do you find yourself drawn to the most, and why?
   Fashion editorials are the field I like to explore. It’s not about taking a single shot but building a story and following a concept, which often has a deeper purpose in the designer’s mind. Understanding the concept behind the fashion and translating it into pictures and videos is the real task for the whole team.

3. How would you describe your photographic style, and how has it evolved over time?
   My photographic style for fashion photography is clean, pure, and handmade without a lot of editing or additional after-effects. In the beginning, I used heavier color grading, but now it’s quite reduced, mostly done with lighting on the set. Over the years, I’ve also transitioned from portrait lenses to wide-angle lenses to incorporate more of the location into my fashion stories.

4. What role does lighting play in your work, and how do you approach capturing the perfect light for a shot?
   Lighting is always tied to the concept of the fashion editorial. The mood, location, and story behind the fashion all dictate the lighting. For example, in a recent dark gothic fashion editorial, we used a hallway behind our studio with a big elevator to create a spooky mood. I combined colored LED lights with additional flash for the fashion and models’ faces to achieve the desired effect.

5. Which photographers or artists have influenced your work, and in what ways have they impacted your creative process?
   I admire classic portrait photographers from the 1930s and 1940s, like Edward Steichen, Horst P. Horst, and Irving Penn, who were masters of light. I also love modern classics like Richard Avedon, Herb Ritts, and Albert Watson. And of course, Tim Walker—an absolute genius in fashion photography.

6. Can you walk us through a memorable photoshoot experience that had a lasting impact on your approach to photography?

   
   In 2017, I had my first “real” fashion photoshoot. I worked on a project in a hotel suite with three models and another photographer. We had matching outfits for the models and built a storyline. This photoshoot became my first magazine publication, and I realized how much I loved conceptual shoots. The key lesson: always work with a concept, a moodboard, and a story.

7. How do you balance the technical aspects of photography with the creative vision you want to achieve?
   The more experienced you become with your gear, the more flexibility you have in creating the light that fits your vision. In commercial work, you might have to meet the client’s exact expectations, but in my personal projects, I tend to use reduced gear. Sometimes, even a small speedlight can be enough, depending on the mood you want to create.

8. What challenges have you faced as a photographer, and how have you overcome them?
   The biggest challenge is finding the paid kind of work that I love. Fashion editorials are fantastic to shoot, but finding companies that will fund them is tough. In the meantime, I work with creative people—models, designers, makeup artists, and stylists—for portfolio projects. I also look for sponsors, mostly small businesses, who can’t afford big photo productions. The key is to deliver consistent, high-quality work over many years. Although I’d love for paid projects to grow faster, there’s no skipping the process.

9. How do you stay inspired and push the boundaries of your work when tackling new projects or concepts?
   I’m often drawn to fashion creations that I don’t initially understand. This curiosity—asking myself “why?”—is what drives my photography. Every new project is a puzzle, and I love piecing together elements that I’m familiar with, while always adding one new, unexplored ingredient.

10. What advice would you give to aspiring photographers who are just starting out in the industry?
    If I knew the recipe for success in the fashion industry, I’d gladly share it. But my advice to beginners is to persist. In my experience, it takes about three years to specialize in any field. Focus on your favorite area, like fashion, and after three years, decide if you want to continue or explore a new path in photography.

Conclusion:

Through dedication and a deep connection to fashion and storytelling, this photographer has mastered the delicate balance between technical precision and creative expression. From the subtle play of light to the artful collaboration with designers, their work consistently pushes boundaries and invites audiences into a world of visual storytelling. As we conclude, we are left inspired by their commitment to the craft and the thoughtful advice they offer to aspiring photographers—persist, explore, and always seek to understand the "why" behind every shot.

IVAN CROSS INTERVIEW

Ivan Cross is a multifaceted artist and model whose work transcends boundaries, blending creativity, boldness, and an unmistakable allure. With an artistic journey shaped by passion and a deep understanding of visual storytelling, Ivan’s unique perspective has captivated audiences both on the runway and in front of the camera. His striking presence, combined with an innate ability to channel emotion through his art, has made him a standout figure in the world of fashion and creative expression. As someone who seamlessly merges the worlds of modeling and art, Ivan continues to redefine what it means to be a modern-day muse.

Ivan, your creative journey spans multiple fields, from modeling and photography to creative direction and now music. How do you find balance between these different artistic expressions?

They're all just different ways to express the same vision. Each project feeds the other, and music feels like the next step in telling my story. The balance happens naturally that way.

As a model, your visuals are known for their unique style and powerful presence. How do you approach embodying different concepts and characters in front of the camera?

I focus on the emotion behind each concept. It’s less about playing a character and more about channeling a feeling. I let the mood guide me — well, and fashion, of course.

Your visuals are known for their striking and innovative nature. Where do you draw inspiration from, and how do you translate that into your artistic work?

Inspiration comes from everything — art, people, places, even small moments. I’m always observing, and I let those impressions blend together. Translating it into my work is more instinctual, like capturing a feeling in the right visual form.

As someone deeply engaged in human rights activism, how do these experiences shape your artistic perspective and the stories you choose to tell through your projects?

Being involved in activism has changed the way I see things. Feels like It’s added layers to my perspective, and that naturally finds its way into the stories I tell. There’s always something deeper “beneath the surface”.

With your upcoming music project, you’re stepping into a new creative realm. Can you share what sparked your interest in music and how this project differs from your previous work?

Music has always been in the background for me, something that’s been waiting for the right moment. This project feels unique because it lets me step away from the visual and dive into something more intangible, where emotions take the lead.

Given your involvement in such diverse creative fields, how do you see your artistic identity evolving in the coming years?

I see my identity becoming more fluid, blending all the different fields. It’s about exploring their intersections and pushing boundaries, wherever that takes me.

Creating this project entirely on your own showcases your versatility and vision. What message or emotion do you hope viewers experience when they see this body of work?

I aimed to convey the tension between what’s seen and what’s hidden. The reflections and distortions suggest that something deeper lies beneath the surface, inviting viewers to look beyond and question what’s real.

Can you tell us more about your experiences volunteering at Hollywood City Hall and how this community engagement impacts your artistry?

I started volunteering at Hollywood City Hall through my manager and friend, who’s deeply involved in the community. It wasn’t something I planned, but being part of that world has changed the way I think about life. It's given me a new perspective and influenced my art, connecting it more to real people, stories and problems.

What advice would you give to other artists and models who want to explore different mediums and push the boundaries of their creative comfort zones?

Don’t be afraid to take risks and embrace the unknown. Stepping into a new medium can feel uncertain, but that’s where the real growth happens. Trust your instincts and let each form of expression guide you in new directions.

With so many projects and responsibilities, how do you stay motivated and inspired to continue pushing your creative boundaries?

I find motivation in the constant evolution of my ideas. When I challenge myself to go further and explore the unexpected, it keeps the creative process engaging and fresh.

Ivan Cross’s creative journey is a testament to his commitment to self-expression and the power of art in shaping identity. With each project, Ivan pushes the boundaries of his craft, challenging conventions and inspiring those around him. His talent, versatility, and authenticity shine through, making him not only a model to watch but an artist whose impact will undoubtedly leave a lasting imprint on the industry. As Ivan continues to evolve, we can only anticipate more groundbreaking work from this extraordinary talent.

Q&A Interview with Cheryl Adam

Q1: Darkly Magazine has carved a unique niche in the fashion world. How did the concept for Darkly Magazine originate, and what inspired you to focus on the darker, edgier side of fashion?

Cheryl Adam: The concept for Darkly Magazine was born out of a desire to explore the intersection of fashion and the darker aspects of human experience. I’ve always been fascinated by how fashion can express not just beauty, but also the complexities of emotions like melancholy, rebellion, and mystery. There was a gap in the market for a publication that didn’t shy away from these themes, and that’s where Darkly found its place. We wanted to create something that resonates with those who appreciate the art of fashion as a means of exploring the shadows, not just the light.

Q2: What are the biggest challenges you’ve faced in maintaining the magazine’s unique identity in an industry that is constantly evolving?

Cheryl Adam: One of the biggest challenges has been staying true to our vision while adapting to industry changes. The fashion world is incredibly dynamic, with trends shifting rapidly, and it can be tempting to follow the mainstream to stay relevant. However, Darkly Magazine’s strength lies in its distinct voice and aesthetic. We’ve had to balance staying current with ensuring we don’t lose the essence that makes us unique. It’s a delicate dance between evolution and authenticity.

Q3: Darkly Magazine is known for its bold, avant-garde editorials. Can you walk us through the creative process behind curating an issue, especially since much of your content comes from submissions?

Cheryl Adam: Darkly Magazine thrives on collaboration, so our creative process is quite unique. We don’t have a dedicated in-house team of photographers or stylists; instead, we rely heavily on submissions from talented creatives around the world. Each issue begins with a thematic concept, and we put out a call for submissions that align with that theme. We receive a wide range of content, including fine art, digital art, photo manipulation, and more traditional photography. As submissions come in, we carefully review them to see how they fit into the narrative we’re crafting. It’s like piecing together a puzzle—each contribution adds a different layer to the story we’re telling. We’re always amazed by the diverse interpretations of our themes, and it’s that diversity, combined with the blend of different artistic mediums, that gives each issue its depth and richness.

Q4: That’s a lot of work, and I assume now that you get more and more submissions to your magazine. How do you manage the influx of content?

Cheryl Adam: It is indeed a lot of work, and as Darkly’s reputation has grown, so has the volume of submissions we receive. We’ve developed a robust review process to manage this influx. Our team carefully reviews each submission to ensure it aligns with our themes and aesthetic. It’s a time-consuming process, but it’s essential to maintaining the high standards our readers expect. We’re fortunate to have a passionate community of contributors who understand and embody the spirit of Darkly, which makes the selection process both challenging and rewarding.

Q5: What advice would you give to photographers, fashion designers, makeup artists, and other creative individuals who want their work featured in magazines like Darkly? How can they create a compelling series of photos to submit?

Cheryl Adam: My advice to creatives who want to be featured is to focus on storytelling. A great series of photos isn’t just about beautiful images—it’s about conveying a narrative or emotion that resonates. Start with a strong concept that aligns with the magazine’s theme, and build your shoot around that idea. Pay attention to details like styling, composition, and mood, and make sure everything supports the story you’re trying to tell. Originality is key; don’t be afraid to push boundaries and explore new ideas. Once you’ve created something you’re proud of, the next step is to ensure your submission is professional. Include a well-written statement that explains your concept and how it fits with the magazine’s theme.

Q6: How do they submit their work to Darkly Magazine?

Cheryl Adam: Submitting to Darkly Magazine is straightforward. We regularly post open calls for submissions on our website and social media platforms. These calls detail the themes we’re focusing on for upcoming issues, along with submission guidelines. Creatives can submit their work through our submission page on Kavyar, ensuring they follow the guidelines provided. We review each submission carefully and select those that best fit the theme and aesthetic of the issue. It’s a highly competitive process, but we encourage all creatives to take a chance and share their work with us.

Q7: As Editor-in-Chief, how do you decide which trends or themes are featured in Darkly Magazine?

Cheryl Adam: We look for themes that challenge conventional fashion narratives and resonate with our audience’s desire for something different. I’m constantly inspired by art, music, and cultural shifts, and these often inform the trends we explore. We avoid trends that feel fleeting or superficial; instead, we focus on those that have a deeper, often darker, underlying message. Our aim is to feature content that not only looks good but also sparks conversation and introspection.

Q8: In today’s digital age, how has social media influenced the way Darkly Magazine connects with its audience?

Cheryl Adam: Social media has been a powerful tool for us. It allows us to engage directly with our audience and gauge their reactions in real-time. Platforms like Instagram and Pinterest are particularly effective for showcasing our visual content, which is a huge part of our identity. We’ve also used social media to create a community around the Darkly brand, where followers can share their interpretations and experiences of our themes. It’s not just about promoting the magazine; it’s about building a dialogue with our readers and creating a space where they feel seen and understood.

Q9: What advice would you give to aspiring editors who want to create a magazine with a distinct voice like Darkly?

Cheryl Adam: My advice would be to stay true to your vision and not be afraid to take risks. Creating something with a distinct voice means you’re not going to please everyone, and that’s okay. Find your niche and focus on what makes your perspective unique. It’s also crucial to build a strong team that believes in the vision as much as you do. Collaboration is key, but so is knowing when to hold firm on your ideas. Lastly, be prepared for the hard work—editing a magazine is a labor of love, but if you’re passionate about it, the rewards are worth it.

Q10: Looking ahead, what are your plans for the future of Darkly Magazine? Any exciting projects or themes on the horizon?

Cheryl Adam: We’re constantly pushing boundaries, and the future of Darkly Magazine is no exception. We’re exploring new ways to blend fashion with other art forms, such as film, to create immersive experiences for our readers. Additionally, we’re excited to be working on apps that will enhance how our audience interacts with our content. These apps will offer unique features that go beyond what traditional print and digital formats can provide, making it easier for our readers to engage with our themes and content on a deeper level. Without giving too much away, I can say that our upcoming projects will continue to challenge the norm and invite our audience to see fashion through a darker, more complex lens.

Conclusion:

Cheryl Adam’s leadership at Darkly Magazine is a testament to the power of staying true to a vision while embracing innovation. Her dedication to exploring the darker side of fashion and her commitment to providing a platform for diverse artistic voices have made Darkly Magazine a standout in the industry. As Cheryl and her team continue to push the boundaries of fashion publishing, it’s clear that Darkly Magazine will remain a beacon for those who seek something beyond the ordinary in fashion and art.

Follow Darkly Magazine on Instagram @darklymagazine #darklymagazine for a chance to get featured!

Dusil Photography Interview

In the world of fine art nude photography, few artists possess the unique ability to blend technical precision with deep emotional resonance. Dusil Photography, a name synonymous with breathtaking imagery and unparalleled craftsmanship, stands out as a beacon of creativity and passion. From his humble beginnings, inspired by the pages of Playboy, to his celebrated status as a master photographer, Dusil has consistently pushed the boundaries of artistic expression. His work is not just about capturing the human form; it's about revealing the very soul of his subjects, creating a powerful and intimate connection between the viewer and the photographed. Join us as we delve into the mind and process of this extraordinary artist, exploring the inspirations, challenges, and philosophies that define his remarkable journey.

What inspired you to specialize in fine art nude photography?

A: My photography journey began at sixteen when I subscribed to Playboy. The visual content was certainly a motivation and it led to relentless mockery from friends and family, with comments like, “I guess you subscribe to Playboy for the articles?!” Anyone who bought Playboy certainly heard that one.

I can honestly say that I read every issue from cover to cover. Even today there’s a lot of truth to this sarcastic dig, especially considering that only about eight percent of the entire magazine has nude content. Regardless, I dreamt of being a Playboy photographer, and in high school, I even convinced a few girlfriends to photoshoot with me and my humble Ricoh 35mm camera.

In 1996 I bought my first SLR – a Nikon F90. This kicked off a semi-serious journey into the creative arts. My girlfriend at the time worked for Ogilvy & Mather, so she invited me to be one of their official photographers at a few events. One was a Prague fashion show in November 1997 where I had a chance to photograph Karen Mulder.

How do you create a comfortable and safe environment for your models to express their vulnerability? 

Capturing my model’s soul requires me to overcome three obstacles: First and foremost, I need my model to relax in my company. I do this by establishing a genuine and personable connection; Secondly, I try to bring out her inner confidence. When she feels my confidence, it will help to reveal her own. Thirdly, and most importantly, I need to find a way for her to trust me. Getting through all these steps is a tall order, but in most of my sessions, I can get there within the first hour.

To capture the beauty of the female form is a privilege. Exposing her vulnerability is an honor. Giving me her soul is the greatest gift.

Can you describe your creative process from concept to final image?

A lot of my inspiration comes from the best fine art photographers around the world. When I review their portfolios I envision how they set up their scenes. Duplicating a great pose with a new model and different backdrop creates a brand-new opus.

Logistically, as I prepare my studio for a photoshoot I plan a posing flow to minimize any set changes. I usually stick to my plan but sometimes a spark of inspiration from my model dramatically changes everything. Thinking ‘outside the box’ is one of my biggest challenges, so when she offers a new approach I always welcome her suggestions with an open heart. It’s often a new perspective that I hadn’t considered.

When my model arrives at the studio then the first hour is allocated to relaxing. This starts with a cappuccino, chatting, and checking out her outfits. This helps to prioritize what she’ll wear throughout the session. Shooting then starts with a warm-up. At first, I let my model do her thing with little direction - to see how she flows. We’re still getting to know each other so I don’t want to push an agenda just yet. Once the session takes on its momentum then I begin to provide some direction. The tail-end of a 3-hour session is usually the best. By this time we’re completely comfortable with each other. I usually get the best photos in the final hour.

I try new approaches with every photoshoot, pushing the envelope to improve my skills. I don’t fear failure, so experimenting is always on the agenda. It’s sometimes unnerving to try something out of the ordinary when you have a model waiting for me to give her direction. “What would a great photographer do at this moment?” I often ask myself. 

Each photoshoot takes 18-36 hours of investment in post-production editing. I have a very specific workflow that has evolved over the years. It’s documented here: https://www.dusil.org/professional-workflow/. Long story short: I go through three main phases of my post-editing workflow. Each phase has many steps. I don’t like to cut corners. Each session is like raising a baby, and I want to nurture her to the best of my attention and abilities. I am proud of my work, and I enjoy every minute of it. When I point my name on something, then it needs to be my best work. I’m in sync with every artist in the world who truly appreciates the tens of thousands of hours they’ve invested in developing their craft.

How do you capture the deep emotions and sensuality of your subjects in your photographs?

I believe that the only way to be good at fine art nude photography is to capture my model’s spirit. In an 80/20 world: 80% is emotion and 20% is technique. Eyes are the gateway to the soul, and so the lens is my gateway to her eyes. All emotions are revealed when the depths of her soul are staring deep into my lens. She may be happy, sad, confident, or insecure. The camera sees everything and the lens doesn’t lie. For this reason, it’s vitally important for me to create a positive and trusting environment.

What challenges do you face in fine art nude photography, and how do you overcome them?

The success of every photoshoot centers around trust. By being genuine, personable, and professional, I usually get to an amicable level of trust in the first hour of a session. Aside from that, my biggest challenge is to convince my model to open her heart. Asking to reveal her inner spirit for a brief photoshoot is a tall order. I want her to trust me, to find her confidence, and to relax. Essentially, I’m asking that she open her heart to a stranger. Some models know exactly what I mean. Others have no idea what I’m asking. From their vantage point, they say, “I’m here. What more do you want from me?” They don’t see my dilemma. It’s like trying to explain colors to a blind person.

In some cases, I need to navigate through virtual walls that a model has built over time. Barriers that have been erected over the years to protect her from the world. Sometimes these virtual walls are rooted in childhood trauma, insecurity, or just the trials and tribulations of life. Some walls are taller and thicker depending on their past experiences. In many cases, she won’t even realize they exist. Her walls have existed for so long that they’ve become transparent. A photographer who lacks empathy won’t even notice.

How do you ensure that each photograph tells a unique story about the model?

Even though I plan every photo shoot, my best results are organically inspired by our synchronized emotions. It’s rarely about the mechanics of the poses, lighting, and backdrops. Everything is about giving her soul to me as her photographer. The catalyst for the best images is shared empathy. I want each model to give herself to me completely because I’m doing the same in return – no inhibitions, no distractions, no insecurities. Purity from the depths of our souls. Even if I get to this stage then I don’t stop there. My ultimate goal is to capture her visceral energy – her wild and feral emotions that are rarely seen by anyone. Getting to this level is extremely rare, but if I succeed then our photos take on a whole new meaning.

Can you share a memorable experience or moment from one of your photoshoots?

There are so many memorable moments from my photoshoots, they deserve their novel. I make a concerted effort to understand the nuances of my model’s personality. I want to appreciate her as a vulnerable human being. I shun photoshoots that feel like sterile business transactions with a ‘this is business, not personal!’ vibe. I never want a model to pose in a virtual bubble and me at the other end of the room in a separate bubble. I try to avoid such photoshoots at all costs. I want every session to be an existential experience. I want us to become friends and for both sides to respect each other’s sensibilities.

How do you balance the artistic aspects of your work with the ethical considerations of nude photography?

I respect each model’s limitations in a photoshoot. Sometimes these limits are clear before showing up to our session. Other times we need to discuss these nuances at the beginning of the photoshoot.

Over the years I’ve realized that there are three types of models: Those who love the art of creating magic through photography, those who just want to be paid and don’t care to receive the photos, and those who love both. I get the most joy from models who love the collaboration and can’t wait for me to send them our photos. My biggest reward is when a model tells me, “Wow, our photos are awesome! I can’t wait to shoot with you again!”

I respect each model’s time and effort. I want her to love the experience and the photos that we created together. My hope is that they’ll be shared with pride amongst friends, family, or her social channels. If I can get them published, that’s icing on the cake. I fully understand that each model has its limits, so if our styles don’t match then it’s fine. Revealing one’s soul is a level of vulnerability that’s not given easily and can exceed one’s comfort zone. If we mutually agree that my theme is beyond her boundaries, there are no hard feelings.

Many of my models return for follow-up sessions because of the mutual trust we’ve established from previous sessions. I pride myself on being genuine, personable, and empathetic to my models.

What role does compassion play in your approach to capturing feminine beauty?

When a photographer and model have empathy, they share a connection on a higher level. If I succeed in capturing a model’s emotions then my job is done. I need to “feel” her emotions for that to work. Without empathy, this emotional layer can’t be harnessed. Without empathy, this crucial layer is invisible. Likewise, if the model doesn’t have empathy, she’ll lack the intuition to share in a spiritual connection. By staying within the confines of her protective walls she relies solely on her physical presence, expecting that to be sufficient. But it’s just the starting point. The best fine arts photography is when the photographer and model share an authentic and emotional connection.

How do you see your work evolving in the future, and what new projects are you excited to explore?

My dream is to travel the globe and photograph gorgeous models from all cultures and ethnic backgrounds. Over the years, I’ve amassed a database of international models. When have enough contacts in a given location then I try to plan a photo shooting visit to their city. At the moment, I’m planning shoots in Tokyo (Japan), Toronto (Canada), Berlin (Germany), and Milan (Italy) before the end of 2024.

Dusil Photography's journey through the world of fine art nude photography is a testament to the profound impact of genuine connection and artistic vision. His ability to capture the essence of his subjects, to evoke deep emotions and tell compelling stories, is a rare and precious gift. Through meticulous preparation, empathetic engagement, and an unwavering commitment to authenticity, Dusil has crafted a body of work that transcends mere imagery, becoming a powerful narrative of human vulnerability and beauty. As we conclude our exploration of his artistic journey, we are left with a profound appreciation for the dedication and passion that drive his craft. Dusil's work not only enriches the world of fine art photography but also inspires us to see beyond the surface, to the soul within.

SHADU

«Аrtists should convey the message that despite differences, people all over the civilized world have many beautiful things in common!»

The Ukrainian artist exclusively spoke about her new musical direction and whether she will return to shooting fashion videos, which until recently have been garnering millions of views on TikTok.

1. In addition to the vocal path, you decided to add dj-ing. Why did you and what was your motivation?

Synth pop and electro pop are two genres of electronic music I have always loved.  I love the fact that there are so many different genres in electronic music. It has always been my wish to cross borders and be an international artist - to reach the audience in Ukraine and all over the world. A Ukrainian example of this is Artbat, one of the most popular DJs and sound producers in the world. About DJing - as a musician I've always been interested in playing new instruments - first violin, then guitar, then piano! I've always been into DJing, so I decided to add it to my list.  As soon as I started to pay more attention to it, I felt that this direction is so exciting and inspiring for me - I don't know how I lived without DJing before. I will definitely do a combination of djing and singing. I think people will love this mix.

2.  Since your songs have been on the world charts, do you get letters from your international fans?

I get letters from people from different countries who like my production! I think that the charts are an indication of the listeners' interest in my work. I'll keep doing my best to release good, quality and modern music! I don't want to stand still and I will continue to expand my audience even more.

3. Among all Ukrainian artists, you are probably the only one who always wears designer clothes. Is it easy to find ideas for new looks? How does it work?

I have always been a fan of fashion and stylish, flamboyant looks! I really appreciate that I can afford to look how I want to and not how society expects us to. This is the first reason why I have designer costumes made just for me! The second reason is that I am not tall and very often things in showrooms simply do not fit me, because unfortunately brands sew on the average human height - 170 cm. In my opinion, this is a big mistake! Because nobody is perfect! Not all people are thin, not all people are tall! All my looks are created by my director Aisha Milevskaya! I am lucky to have such a talented person beside me! The way she sees me, the costumes she creates for me, I consider the highest level of talent and art!

4. The global market is evolving rapidly. What do you think an artist/blogger should look like in 2024? What should they carry and what are the main messages of their work in your opinion?

The whole world is in a state of uncertainty now, and people often do not feel as comfortable and safe as they used to! I think artists should convey the message that despite differences, people all over the civilized world have many beautiful things in common! And this can unite people and lead them to the brighter things within! Music can start to change the world for better!

5. In one of your interviews, you said that you were going to go back to making fashion videos when the time came. Because your previous videos had million views in TikTok.

Since the beginning of the full-scale Russian invasion, neither I nor my subscribers had time for fashion videos, so I spent a long time shooting political videos and leading the information front. But after a while my followers started asking me to put fashion back on my blog because they realized that war is a long-term thing, that we need to live here and now and look for some positive things in this life. I am very happy about this, because for me fashion is not just a thing! It's about feeling, it's about being inspired, it's about creativity! I plan to make even bigger fashion videos in the future! Take them to a whole new level by combining music and fashion in one video!

ANGELA

«Music for me is freedom»

Ukrainian singer ANGELA talked about her first performance on stage, where she received her education and how she started her career as a singer.

When did you realize that you wanted to be a singer?

As long as I can remember, I always sang. My first public performance was at the age of four, when I went to kindergarten in Zhytomyr. My compatriots still remember, during meetings they talk about my first appearance on stage. My first performance in front of a large audience as a singer was on the podium. In the program of the event, it was not written that I should go to the podium and sing. It was my initiative, most likely — my improvisation! After all, I forgot the words that I had to say after the presentation of the swimsuit series. My colleagues from the podium were immediately surprised that I also sing well. After all, I never told them about it. A week after the show, a glossy magazine with my photos was published. In the article, you could read about the collection of swimwear, dresses, about the music break of the event and about the "singing model in the image of an angel». Currently, I have more than 30 works in various formats: from Ukrainian songs to  modern original and experimental music. I still supplement my concert repertoire with Ukrainian songs. I have a desire and great potential to do what I love, giving the public my talent and the warmth of my soul. I am ready to share the secrets of professional skills with talented youth and do not forget about the popularization of Ukrainian national art

Where did you get your education?

She studied music from an early age, in particular, she learned to play the piano at a music school. I played beautifully, my teachers were sure that I would become an outstanding pianist in the future. But I myself decided to be a singer.She received her professional education at the Taras Shevchenko KNU with a diploma of financier, but she never worked in her profession for a day.

Office work is not for me

How did you start your career? Who helped in this?

I started playing music at the age of 8. My dad is a musician, so I had someone to emulate. Music for me is freedom. Music will always support you and it doesn't matter if you are a child or an adult, it knows the way to every heart

I am impressed by artists not only as characters, but also as strong-willed people with principles and values. This list definitely includes Rihanna, The Weekend, Adele, Bruno Mars, Lana Del Rey. The main qualities that help to achieve the goal are hard work, talent and creativity

You must be an interesting person, because there are already so many different artists. Only when I had the opportunity to work in my profession and help my country at the same time, I came to life

It keeps me going today. Because I have the opportunity to work on the music front. We can be useful to our country. We will definitely return and rebuild our country, live in a free and independent Ukraine! This is our dream and goal!

Describe who ANGELA is?

It all started in early childhood with a simple desire to be happy.

It was the songs that I associated with a feeling of joy: the music played — everyone was dancing, singing, having fun. As a child, I liked to play actresses, singers and models. My father often called me an artist in my childhood! Fortunately, with an attractive appearance and a model walk, you can realize yourself in many ways

I chose a modeling career, after which I began to focus more on my development.

When I was offered to become the advertising face of a beauty salon, I was very happy. After all, I started making money in the modeling business

After successfully participating in beauty contests, I thought I would only be a model, but then I started writing songs

People, listening to them, asked me: "And when to sing? You have such an angelic voice! And songs! I want to live under them."

It was after that that I began to sing them and realize myself as a singer

We created a special stage persona under the pseudonym AngelA. The songs I write are related to me in one way or another. And now I know for sure: everything is possible, the impossible just takes a little more time

How do you choose your songs?

I don't choose rhymes specifically, I don't sit up at night, I don't think about which word to insert… It's just that this process happens by itself. I can't explain why. Well, for example, you are lying in bed, falling asleep and suddenly inspiration comes.  A rhythm, a poem begins to emerge in your thoughts, you write it down, and then you make a song in your free time. I perform and invent songs in the style of pop, Euro-pop. It's something I'll always be high on, something I'll sing anywhere.These are usually tracks with a good melody, an unusual beat and meaning But, of course, I always have jazz. This is the best music, which is the basis, on which you should learn to sing and develop your taste and skills

I don't write music for clubs or a good addition. It must be heard and felt

If you weren't singing, what would you be doing? What are your hobbies?

I really like to paint outdoors when I'm not working. I try to do this once a month. I paint outside, because I instantly develop an allergy to the smell of paint indoors.

I also like to travel and do sports in my free time. I enjoy spending time with my family. Sometimes we get together as families with friends, we spend time having tea — these are my hobbies.

To cheer myself and my friends up, I shoot interesting videos on my phone, which I later post on the Internet. The videos suddenly started getting a huge amount of views, turning my fun hobby into a profitable business, making me one of the most popular vloggers in the world. At least there will be something to remember in old age!

https://www.instagram.com/angelasinger_/

https://www.youtube.com/channel/UCvRQ4FNB7zd_4Kk2v3nSYiQ

INSIDE OF ME

Model: Model Maria Cervera @mariiacerveera_01

@mariiacerveera_01

Creative Director/Photographer: Alfonso domingo

@alfonsfoto

https://www.facebook.com/alfonso domingo fotografia

Makeup Artist: Makeup Artistic: Joana Cervera @joanaacerveera

@joanaacerveera

Accessory Designer/Fashion Designer: Creativvo

@creativvo

Hair Stylist: Stylist: Montse Calatayud @montsecalatayud75

@montsecalatayud75

ALFONSO DOMINGO INTERVIEW

Alfonso Domingo a remarkable talent in the world of photography. Hailing from the enchanting city of Tortosa in Spain, Alfonso embodies the essence of creativity and dedication in his craft. As a versatile photographer, portraitist, advertiser, and fashion photographer, he has captivated audiences with his stunning visual narratives that transcend boundaries and evoke profound emotions.

How did you develop your passion for photography, and what inspired you to pursue it professionally?

My passion for photography began when I was very young. My father was a portrait photographer, and it was in the year 2000 when I started my four-year studies and internships at the IDEP image school in Barcelona. Back then, everything was analog: cameras, developing, printing.

Can you describe your preferred style of photography and how it influences your work?

I specialize in advertising and fashion photography. Also, recently, I've started working as a videographer and filmmaker. I work for some agencies in Barcelona, and it truly is a job that, apart from liking it, requires a lot of preparation, time, and equipment for each session.

Share a challenging situation you encountered during a photo shoot and how you successfully navigated it.

During an outdoor session at sunset, one of our flashes broke, and the session required artificial light. We had to improvise, using the headlights of one of our vehicles to create a lighting effect and using pieces of cardboard to direct the light and synchronize it with the other flash.

How do you stay updated on the latest photography trends, techniques, and equipment?

There isn't a day when I don't read articles about photography; photographic equipment, fashion magazines, social media, etc. I always try to stay up to date. I like to share experiences with other photographers and learn more every day.

Can you discuss a project where you had to collaborate with a team or clients, and how you managed the creative process?

Last year, I presented a fashion film "BEAUTIFUL", it took me almost two years to make it. For the project, I needed twelve models, various locations, stylists, makeup artists, contributions of dresses from several sector stores, as well as horses and filming permits. A lot of patience. And above all, organization, because it was very difficult to shoot some scenes, and many had to be repeated on subsequent days.

What role does post-processing play in your workflow, and which software tools do you prefer?

Nowadays, for the production of advertising work, it is necessary to work with editing programs such as Photoshop for photography or Davinci Resolve for video. In my case, I use them quite a bit, and the client also appreciates it.

How do you approach capturing and conveying emotions through your photographs?

For me, photography has been an artistic escape and a daily exercise in perseverance, creating and maintaining a photographic style that defines me, observing and growing with each of my sessions, educating my eye every day to achieve the best results for my portraits, seeking this natural aspect that makes us all different, insisting on searching so that I believe that this expression, look, or smile of each of my clients is theirs, analyzing each composition, location, light, and above all, having good artistic direction. Every photo has to convey what you're looking for.

Share an example of a project where you had to adapt to unexpected circumstances or challenging environmental conditions.

Starting a session and having it start snowing, enduring the cold and quickly improvising each scene.

How do you handle feedback or criticism of your work, and how has it contributed to your growth as a photographer?

Well, I love it when people criticize my work. I'm the first to criticize every job I finish; I always see room for improvement.

In what ways do you use social media and online platforms to showcase your portfolio and connect with your audience?

I believe that social media has helped a lot for those of us who work in images; they make you known, and nowadays, it's impossible to be without them. Competition pushes you to excel, and you can prevent plagiarism.

As we draw the curtains on this insightful interview, it's evident that Alfonso Domingo's journey in photography is not just about capturing images but weaving stories that resonate deeply with the human experience. His unwavering passion, adaptability, and commitment to excellence serve as a beacon of inspiration for aspiring photographers worldwide. We eagerly anticipate the continued evolution of his artistry and the mesmerizing tales he will continue to unveil through his lens. Thank you, Alfonso, for sharing your insights and enriching our understanding of the art of photography.