Steele Harden Interview

Steele Harden is a photographer driven by imagination, emotion, and the timeless pull of visual storytelling. With a style rooted in fantasy portraiture, his work invites viewers into worlds touched by magic, memory, and cinematic wonder. Whether inspired by dreams, films, or distant eras, Steele approaches each image with a deep desire to create something immersive and authentic. In this interview, he shares the journey that led him to photography, the importance of storytelling in his work, and the passion behind images that transport us beyond the everyday.

1. Can you tell us how your journey into photography first began?
My journey began in high school when I took a photography class. I fell in love with the whole process of taking pictures and developing them in a dark room.

2. What draws you most to photography as your form of expression?
I get visions or ideas in my head and I find that photography is the best way for me to express them.

3. How would you describe your visual style and artistic identity?
I would describe my visual style as fantasy portrait photography. I love bringing magic into the photographs — worlds long passed, fantasy, science fiction. All of that, I just love it.

4. Where do you usually find inspiration for your shoots and concepts?
I find inspiration in a lot of things like movies, museums, and dreams.

5. When you approach a new project, what is your creative process like from idea to final image?
Once I have an idea in my head, the first thing I do is start researching clothing of the period to make sure that I’m hopefully close to the era that I want to re-create. I really try to make things feel authentic so that you feel like you are in that world when you see the photo.

6. What do you look for when trying to create a photograph that feels powerful or memorable?
I look for the spark in the model’s eyes. The eyes are the window to the soul and sometimes they give a magic flicker, so I try to capture it if I can with the camera. Sometimes it happens right away, sometimes you can go through a whole shoot and capture it at the end. The model’s eyes are the key. You can have an amazing set and wardrobe, but if the model’s eyes are dead, there is no story.

7. How important are emotion and storytelling in your work?
It is the most important. Without it, you have nothing.

8. What has been one of the most challenging moments in your photographic journey, and what did it teach you?
I could not afford a camera, so I did everything on my phone until I saved up enough money to buy one. This taught me to appreciate every step in my journey, to learn from every failure, and to always try to stay positive.

9. Is there a project or image you have created that feels especially meaningful to you?
Two moments are especially meaningful to me. The first is having photos I took of my wife published in a magazine. The second was the first cover I ever had, which was for Darkly Magazine with an Athena shoot I did for February 2026.

10. What do you hope people feel or take away when they look at your photographs?
When people look at my photographs, I hope for a second they feel a sense of magic or fantasy, like when you're a child and you read a book or watch a movie. That fantasy realm that you can enter. I hope that I can bring that to people, even if just for a second.

Through his lens, Steele Harden reminds us that photography can be more than an image — it can be an escape, a feeling, and a doorway into another realm. His dedication to authenticity, emotion, and the quiet magic found in a subject’s gaze gives his work a distinct and captivating voice. From humble beginnings shooting on a phone to seeing his art published and featured on the cover of Darkly Magazine, Steele’s journey is a reflection of persistence, vision, and heart. His photographs do not simply capture a scene; they invite us to believe, even if only for a moment, in the beauty of fantasy made real.

Model/Makeup Artist/Hair Stylist: Ruby

@rubylgrossman

Photographer: Steele Harden

@lost_in_dungeon_photography

‍ ‍https://renderrush.digital.vistaprint.io/s/NT7zR8Vu2SGRjHn3hU5M5

Three Talents, One Vision

Some creative collaborations feel effortless from the very beginning, and this team is a beautiful example of that kind of artistic chemistry. Bringing together photography, modeling, and makeup artistry, they create images that are not only visually striking but also rich in mood, emotion, and storytelling. Their work reflects a rare sense of harmony, where each talent enhances the other and transforms a simple concept into something truly expressive. In this interview, they share how their connection, trust, and shared vision allow them to craft imagery that feels both cinematic and deeply personal.

1. How did your creative collaboration begin, and what first brought you together as a team?
Our collaboration began through a combination of friendship, admiration for each other’s work, and a shared passion for visual storytelling. Each of us comes from a different creative discipline, photography, makeup artistry, and modeling, but we quickly realized that our visions complemented one another naturally. What started as a simple desire to experiment creatively evolved into a collaboration where we could combine our strengths to create images that feel artistic, expressive, and meaningful.

2. Each of you brings a different talent to the process. How do photography, modeling, and makeup come together to shape the final image?
Each discipline plays a vital role in building the final image. Makeup establishes the visual atmosphere and character, while modeling brings emotion, presence, and storytelling through expression and body language. Photography then unifies these elements through light, composition, and visual direction. When these three creative languages align, the photograph becomes more than a technical image, it becomes a complete artistic expression.

3. When you begin a new project together, where does the first spark usually come from a mood, a face, a styling idea, or an emotion?
Most of our projects begin with a feeling or mood. Sometimes it’s something mysterious, cinematic, or emotionally intense. From that initial spark, we begin to imagine the textures, colors, expressions, and styling that could visually translate that emotion. The process is very organic, and the concept often evolves as we exchange ideas.

4. What do you enjoy most about creating as a team rather than working individually?
Collaboration allows ideas to expand beyond what any of us could create alone. Each person contributes a unique perspective and creative energy, which pushes the project further. What we enjoy most is that exchange of ideas, how one suggestion can inspire another and transform the project into something more dynamic and visually rich.

5. There is often a strong artistic energy in collaborative work. How do you inspire one another during a shoot?
A lot of inspiration happens naturally during the shoot itself. A pose, a lighting adjustment, or even a small detail in the makeup can open up new creative directions. Because we share a strong enthusiasm for the work, the creative energy flows constantly between us and keeps the process exciting.

6. How important is trust and creative chemistry in the way you work together?
Trust and chemistry are essential. Since our collaboration is built on friendship and respect for each other’s craft, we feel comfortable sharing ideas openly and experimenting creatively. That trust allows everyone to contribute freely, which ultimately leads to stronger and more expressive images.

7. When creating art as a team, how do you balance each person’s vision while still making the final result feel cohesive?
Communication and mutual respect are key. Each of us brings ideas to the table, but we always keep the central concept in mind. Instead of focusing on one individual vision, we aim to merge our perspectives into a unified artistic direction that feels intentional and cohesive.

8. What kind of mood, emotion, or story do you most love expressing together through your images?
We are often drawn to images that feel cinematic, introspective, and emotionally charged. There is usually a darker or moodier aesthetic in our work, where expression, gaze, and body language play an important role in conveying the story. Through these elements, we aim to create photographs that evoke emotion and invite the viewer to interpret the narrative.

9. In your eyes, what transforms a collaborative shoot into something truly powerful, memorable, or artistic?
A shoot becomes truly powerful when everything aligns, the concept, the emotion, the styling, and the light. Technical skill is important, but what makes an image memorable is the feeling it communicates. When a photograph can speak for itself and connect emotionally with the viewer, it becomes something truly meaningful.

10. Looking ahead, what kind of creative projects or visual worlds would you love to explore together next?
We would love to continue exploring more conceptual and storytelling-driven projects. Our goal is to create images that feel immersive and cinematic, visual worlds where makeup, styling, modeling, and photography work together to build something dramatic, artistic, and emotionally expressive. As we continue to grow creatively, we are excited to push our work into new directions and experiment with even more ambitious ideas.

This interview reveals the strength of a collaboration built on friendship, trust, and a genuine passion for creating meaningful art. What makes their work so compelling is not only the beauty of the final image, but the way each element photography, makeup, and modeling comes together with intention and emotion. Their creative bond allows them to shape visual stories that feel atmospheric, elegant, and memorable. As they continue to evolve and explore new artistic directions, there is no doubt that their future work will continue to captivate and inspire.

There is one tiny punctuation point I would tighten for publication: in question 2 and question 9, the sentence flows better with an em dash or colon instead of a comma before the explanation. I can polish the whole piece into a slightly more editorial magazine style too.

Photo: @abad.montoya

Model: Cristina Hernandez

MUA: @makeup_by_jessiica

Georgia Chioni - SKiN iT FASHION

Georgia Chioni, the mind behind SKiN iT FASHION, belongs to a rare generation of designers who do not simply create clothing, but build entire conceptual worlds around it. Her work exists at the crossroads of fashion, philosophy, narrative, and cultural inquiry, transforming garments into expressions of identity, tension, and resistance. Influenced by her studies across Greece, Italy, and Germany, Georgia has developed a singular visual and intellectual language, one that challenges conventional ideals of beauty through the evocative idea of the Anti-Muse. With an approach rooted in craftsmanship, slow fashion, and critical thought, she invites us into a universe where style becomes substance and fashion becomes a powerful form of dialogue.

1. Can you take us back to the beginning of your path in fashion and the moment you knew design would become your language?
My relationship to fashion began less as a career decision and more as a necessity to translate how I perceive the world. I have always been fascinated by the body as a moving architecture and clothing as a second skin that carries meaning. At some point I realized design was not simply about garments, but about constructing narratives and questioning systems. In addition, given my background as cinematographer and author, I became interested in creating fictional environments where garments would function like characters themselves — extensions of narrative worlds that could belong equally to film, literature, or the runway. This approach echoes the idea of Gilles Deleuze, who suggested that art creates “blocks of sensation” capable of generating new realities and perceptions.

Coupling with my theoretical studies on fashion, law and sociology, I combined theories of system governance and autopoiesis that led me to approach fashion not simply as an aesthetic field, but as a self-producing cultural system. All this culminated in creating the idea of the Anti-Muse. Instead of celebrating the traditional muse as an idealized figure, I became interested in the presences that disrupt ideals — those who reveal the fractures of the system itself. In a way, the Anti-Muse embodies the spirit of Michel Foucault’s observation that “where there is power, there is resistance.” Fashion, to me, became a language through which these tensions could be expressed, a space where garments operate as both aesthetic objects and subtle acts of critique, revealing how identity, beauty, and power are constantly negotiated.

2. Having studied in Greece, Italy, and Germany, how have these different creative environments influenced your aesthetic and way of thinking?
Each place shaped a different layer of my thinking. Greece gave me a deep awareness of history, symbolism, and the human body as a sculptural form. Italy introduced me to the discipline of craft and the sensuality of materials. Germany, on the other hand, encouraged conceptual rigor and systemic thinking. Through all this, I would say that I learnt to approach fashion almost as a cultural investigation, with a more analytical way of understanding it as a system that can be questioned, interrupted, and reimagined. Each environment had so many different things to offer, a plethora of challenges to the way fashion is perceived: a societal mirror and an echo reflecting desire.

3. Your brand has earned awards and international recognition. How have these milestones shaped your confidence and direction as a designer?
Recognition is meaningful not simply as validation, but as a signal that ideas resonate beyond our immediate environment. For me, these milestones reinforced the importance of continuing to experiment and to challenge the structures of the fashion system. So rather than pushing me toward conformity, they encouraged me to deepen my conceptual approach and to remain faithful to the idea that fashion can operate critically as well as aesthetically. I am very grateful for all awards that actually showed me the depth and the multidimensionality of fashion in society.

4. How would you define the essence of your brand today, and what makes it distinct in the world of contemporary fashion?
The essence of the brand lies in exploring the relationship between skin, identity, and system. Clothing becomes a locus where personal narratives meet broader cultural frameworks. In this concept, the thematic of the Anti-Muse, that runs through my collections, is crucial: figures that represent a breach in the dominant narrative of fashion. Instead of presenting an ideal of perfection, the collections explore tension, vulnerability, and transformation. The Anti-Muse is not a rejection of beauty, but a reconsideration of it. In this context, garments function almost like membranes between the body and the social system that surrounds it. They both protect and reveal, creating a dynamic interface between individuality and collective structures. Fashion becomes almost a boundary, where knowledge, existence and power interact, a living surface where identity and power continuously unfold. To this end, perfection becomes a myth and tension the truth of beauty.

5. Your collections have appeared in international fashion weeks and catwalk presentations. What does the runway allow you to express that other formats do not?
The runway allows fashion to become a living narrative. It is not only about garments, but about movement, sound, rhythm and presence. Fashion is not simply worn — it is inhabited, negotiated, resisted. In addition, the runway is a space of conceptual expression a moment where bodies, garments, and atmosphere form a temporary system that invites the audience to rethink familiar codes of beauty and identity. This is apparent in all my thematic collections: SKiNNERS, Oblivion and the Phoenix, Welcome to Dieselland, Wonderland I etc.

6. Slow fashion is deeply rooted in your philosophy. What inspired you to embrace a more intentional and conscious approach to design?
I grew up in an environment of domestic circular economy model, where nothing was wasted and clothes lasted for a lifetime. Great-grandmother and grandmother taught us respect for materials, for labor, and for the quiet value of longevity, that is respect the life of objects — their materials, their making, and the stories they carry through time. So, in this way, garments are not disposable things. Rather, I would say, companions. In this context, slow fashion emerged naturally from my desire to create work with depth and longevity as a way of life. The fashion system often operates through acceleration and constant replacement, but I became interested in the opposite: durability, reflection, and emotional connection. Garments that evolve with the wearer over time.

7. How do you weave sustainability into your creative process while maintaining the refinement and strong identity of your work?
For me, sustainability is not only a technical or material decision; it is a way of thinking. It begins with questioning why we create. By focusing on craftsmanship, thoughtful construction, and long-lasting materials, sustainability becomes embedded in the identity of the work rather than applied as an external label. To be more concrete, I focus a lot of applying zero patter techniques, deadstock, doing upcycling work and cooperating with local fabric suppliers to get unused fabrics. In addition, I respect a lot the ethical part of fashion in all my collaborations.

8. From your perspective, how can fashion evolve into a more thoughtful and responsible industry without losing its sense of beauty and desire?
Fashion has always been a space of imagination and desire. The challenge is not to remove that, but to redirect it. Desire can be connected to meaning, to craftsmanship, to stories that resonate deeply. If the industry begins to value cultural and emotional depth as much as novelty, fashion can remain seductive, while becoming more responsible. Actually, I would say that fashion should not eliminate desire — it should give desire meaning. True luxury is time, craft, and narrative.

9. What emotions, presence, or story do you hope your designs awaken in the people who wear them?
In a way, the wearer becomes an Anti-Muse themselves — someone who subtly disrupts expectations and carries a quiet narrative of individuality. Uniqueness, sensuality, dynamism. Clothing is where the body negotiates its place in the world and fashion is a living interface between individuality and structure.

10. As you look to the future, what vision do you hold for your brand and the legacy you hope to build through your work?
Looking forward, I see the brand evolving as both a design practice and a conceptual platform. I want it to remain a space where fashion intersects with philosophy, art, and cultural critique. The legacy I hope to leave is the idea that fashion can operate not only as decoration but as a thoughtful system of expression, where garments become tools for questioning and reimagining how we relate to our bodies and to the structures around us. Garments are the epidermal architectures of our identity.

Georgia Chioni’s vision reveals fashion as far more than adornment — it becomes a space of thought, emotion, and quiet rebellion. Through SKiN iT FASHION, she has built a universe where craftsmanship, philosophy, and artistic depth coexist with beauty and desire, creating work that feels both intellectually rich and visually arresting. Her approach challenges convention while preserving elegance, proving that fashion still has the power to question, transform, and endure. As her journey continues, she stands not only as a designer of garments, but as a creator of ideas, shaping a legacy that is as conceptually powerful as it is beautifully expressed.

Model: Danai Maria Chatzithoma @danaimarichatz

Creative Director/Photographer: Georgia Chioni @georgia_chioni

Lighting Designer: Teo K. @cinnamonbird

Retoucher: Konstantinos Christopher Nolan @konstantinosnolan

Fashion Designer: SKiN iT Fashion @skin_it_fashion

WB: www.skinitfashion.gr

Carrie Cannie

There is an undeniable authenticity to Carrie Cannie—an authenticity shaped not by surface aesthetics alone, but by lived experience, emotional resilience, and a fearless embrace of identity. With over a decade in front of the camera, Carrie has cultivated a visual language deeply rooted in the dark, the macabre, and the unapologetically unconventional. Her presence does not simply inhabit the frame—it transforms it. Drawing from a lifelong connection to horror, goth, grunge, and alternative culture, she embodies a rare kind of honesty that transcends performance and becomes something far more visceral.

What makes Carrie’s work so compelling is her ability to channel vulnerability into strength, turning personal history into artistic power. Her interpretation of dark fashion is not costume—it is truth. In this editorial, she steps into a narrative that reclaims and reshapes traditional archetypes, infusing them with raw emotion, rebellion, and autonomy. Through her collaboration with visionary creatives, Carrie brings forth an energy that is both haunting and empowering, inviting viewers into a space where darkness is not feared, but embraced as a source of transformation, identity, and beauty.

1. Dark aesthetics are central to this collaboration. What does the dark and macabre represent to you on a personal or artistic level?
The dark and macabre personally, to me, represent the outcasts—those who stand out and aren’t afraid to speak up. I developed this mindset through hardships and trauma growing up, like many others, and I’ve chosen to embrace my past and turn it into something meaningful. Dark does not mean bad. Artistically, it’s everything. It’s horror, suspense, mystique, and ethereal energy. It’s deeply inspiring and allows emotions to exist without restriction.

2. This project brings together creators drawn to goth, grunge, and eccentric high-fashion influences. How do these worlds intersect in your own visual identity as a model?
My visual identity as a model is honestly fully goth, grunge, and dark fashion. I’ve been modeling for 10 years and started acting in haunted houses 6 years ago. That experience naturally led my modeling further into macabre and goth aesthetics because it always felt authentic to who I am. I grew up surrounded by horror films and grunge, metal, and rock music, and those influences continue to shape my creative identity today.

3. How do you transform emotion into presence when working in darker, more atmospheric editorials?
For me, transforming emotion into presence is about letting go completely and embracing the rawest version of myself. Darker editorials allow space for honesty. The more raw and real the emotion is, the more powerful the image becomes. It creates that mystifying, emotional energy that allows viewers to truly feel something.

4. Do you approach posing differently for dark fashion compared to more traditional beauty or commercial shoots? If so, how?
Yes, absolutely. Dark fashion allows me to pose more emotionally. I don’t just pose physically—I feel with my body. It becomes a full emotional release rather than simply creating visually pleasing shapes. It’s very therapeutic and allows deeper storytelling through movement and expression.

5. Fashion can tell powerful stories. What narrative did you feel you were embodying during this shoot?
During this shoot, I wanted to portray the traditional housewife—but through a goth and grunge lens. Historically, women were expected to remain in the home, to serve and conform. Through this editorial, we transformed that image into something powerful, confident, and reclaiming control. It was about taking that symbol and reshaping it into one of autonomy and strength.

6. Which elements—styling, makeup, lighting, or mood—help you connect most deeply to dark or macabre imagery?
80s and 90s grunge and goth makeup always helps me connect deeply to dark imagery. Candlelit or darker red lighting enhances the atmosphere and emotion. Most importantly, allowing myself to connect fully with my raw, authentic emotions creates the strongest connection to the concept.

7. Goth and grunge aesthetics often challenge conventional beauty standards. How do you personally define beauty within this darker creative space?
Beauty, to me, is authenticity. It’s embracing what makes you different rather than hiding it. In darker creative spaces, beauty exists in emotion, honesty, and individuality. It’s about expressing truth rather than fitting into expectations.

8. Collaboration is essential in projects like this. How does working closely with photographers, stylists, and other creatives shape your final performance?
Working with Dan Seagull and ROTN Reviews played a huge role in shaping my performance. Dan is a lighting genius—I call him the magic camera man. Grim and Matt from ROTN Reviews create an environment where I feel safe, comfortable, and supported, which allows me to fully access that raw emotional state. That trust is essential in creating honest, powerful imagery.

9. Was there a particular moment during this shoot where you felt especially connected to the concept or energy of the project?
The moment I felt most connected was when I was setting the table like a traditional 60s or 70s housewife—but in a darker, macabre way. Reimagining that role and transforming it into something confident and empowering made me feel deeply connected to the concept.

10. What do you hope viewers feel or take away when they engage with this editorial?
I hope viewers feel the rawness and honesty of it. I pour parts of my soul into every project I’m part of. There are no facades—just truth, emotion, and embracing the macabre. I hope people see the beauty in darkness and feel empowered to embrace their own authenticity.

Carrie Cannie’s work reminds us that darkness is not the absence of light, but the presence of depth. Her ability to translate emotion into physical expression creates imagery that resonates far beyond the visual—it lingers, unsettles, and inspires. By embracing the macabre as a symbol of resilience, individuality, and reclamation, she challenges conventional narratives of beauty and replaces them with something far more honest and profound.

This editorial stands as a testament to her fearless creative spirit and unwavering authenticity. Carrie does not simply portray a concept—she becomes it, dissolving the boundary between subject and story. In doing so, she invites viewers to confront their own perceptions of darkness and recognize the strength that exists within it. Through her artistry, Carrie affirms that beauty is not defined by conformity, but by the courage to exist unapologetically in one’s truth.

Model: Carrie Cannie @carrie_cannie

Photographer: Dan Seigel @danseagullphoto

https://danseagullphoto.mypixieset.com/

Makeup Artist: ROTN REVIEWS @rotnreviews

Bianca Frusi

Photographer: Riccardo Dall'Amico @dallamico

www.dallamico.it

Model/Makeup Artist/Hair Stylist: Bianca Frusi @biancafrusi

https://wwe.bisncafrusi.com

Wardrobe Stylist/Creative Director: Nausicaa Frusi @nau_ph

In a muted space between shadow and softness, the gothic Japanese lolita aesthetic becomes an inner language.

Lace is not decoration, but shelter. Black is not darkness, but depth.

This vision moves through fragility without fear, embracing decay as a quiet form of beauty. There is innocence, but never naivety.

Each detail feels intentional, almost ritualistic, holding together grace and gravity.

The image lingers in a suspended moment, where elegance carries weight and delicacy becomes a form of strength.

A beauty that doesn’t ask to be understood, only felt.

Your style is deeply inspired by gothic Japanese lolita. What draws you to this aesthetic?

It feels like a safe structure for emotions. It allows softness and darkness to exist together without cancelling each other. I don’t wear it to escape reality, but to face it more honestly.

Fragility is a strong presence in your imagery. How do you relate to it?

I see fragility as awareness, not weakness. Being sensitive means noticing things others overlook. I try to protect that feeling instead of hiding it.

There’s a sense of decay in your work, but it feels gentle rather than tragic. Why?

Because decay doesn’t always mean an ending. Sometimes it’s just a quiet transition. I’m interested in that in-between state, where things are changing but still holding on.

Your beauty feels ethereal, yet serious. How would you define it?

It’s not light or playful. It’s calm, intentional, and a bit heavy. I like beauty that stays with you, not just something pretty to look at.

If this editorial had a feeling, what would it be?

A soft stillness. The kind that feels fragile, but very real.

Schakya Sinhara

In a world where photography often pursues perfection above all else, Schakya Sinhara offers something far more profound: emotion. His work transcends the purely visual, transforming light, color, and contrast into a language of feeling. Each image he creates carries a quiet intensity, inviting the viewer not only to see, but to experience. With a distinctive sensitivity to atmosphere and human presence, Schakya reveals the fragile space where vulnerability and strength coexist.

Guided by both instinct and discipline, and shaped by mentorship from some of the most respected figures in contemporary photography, Schakya has developed a visual signature that bridges fashion and fine art. His images balance precision with spontaneity, elegance with authenticity. Rather than imposing his vision, he enters into a dialogue with his subjects, allowing their essence to emerge naturally. In this exclusive interview, Schakya shares the emotional foundations of his work, his creative process, and the philosophy that continues to shape his evolving artistic journey.

1. Your work is known for its vibrant use of color, light, and contrast. How do these elements shape the emotional tone of your images?

Light and color are emotional languages to me. I use them to build atmosphere, to whisper rather than shout. Contrast brings rhythm, a kind of heartbeat, guiding the eye but also the mood. Together, they form the emotional skin of my images, that first layer through which you feel before you see.

2. How do you approach revealing the unique essence of a subject while maintaining your own artistic signature?

Every subject has a vibration, something silent that only appears when trust exists. My approach is to listen to that energy and filter it through my own perception. I never want to impose my universe, only to let it merge with theirs. The result becomes a dialogue, honest and instinctive.

3. You blend creativity with precision in your work. How do you balance spontaneity and control during a photoshoot?

I usually begin with words, ideas, sensations, or colors that form the core of a concept. From there, I build a moodboard that connects everything: light, textures, makeup, tone. But once on set, I let go. The plan becomes instinct. Spontaneity, even small “mistakes,” can bring unexpected authenticity. That’s what I look for, the fragile, human moment you can’t stage.

4. How has being trained by renowned photographers influenced your technique and visual philosophy?

My mentors taught me rigor and discipline, the ability to shape light and compose with intention. But beyond the technical aspects, some, like Nath-Sakura, opened me to art history and conceptual thinking. Others such as Lindsay Adler, Chris Knight, Gemmy Woud-Binnendijk, Félix Barjou, or Quentin Décaillet have inspired me with their mastery of storytelling, light, and emotion. I learned that rules matter only if you know how to break them, because photography, before being technique, is a language of emotion.

5. What role does emotion play in your creative process, from concept development to the final image?

Emotion is everything for me, both strength and vulnerability. When I was a nurse, I had to put emotions aside; now, as an artist, I have to face them. I create with them. They influence how I see, feel, and capture. Each image comes from that inner place, raw but honest. It’s my truest compass.

6. Fashion and fine art often intersect in your photography. How do you navigate the space between commercial intent and artistic expression?

I’ve always felt that fashion and fine art share the same roots. They both explore transformation, identity, and beauty in their own languages. I don’t separate them, they complete each other. Fashion brings precision and form; fine art gives depth and emotion. Together, they create the balance I love.

7. Can you describe your process when preparing for a shoot, from mood-boarding to execution?

It always begins with a feeling, sometimes a single word, a color, or an atmosphere that stays in my mind. Then I build around that: textures, references, light, styling, makeup. Preparation helps me set the rhythm, but once the camera is in my hands, I let instinct take over. I want the shoot to breathe and feel spontaneous, not rigid.

8. What makes a photoshoot feel successful to you—beyond technical perfection?

A shoot feels successful when there’s real synergy between everyone involved. When the atmosphere is light, respectful, and full of good energy, when everything flows. Each person brings their own spark, and together we build something greater than any of us could alone. It’s like a fluid exchange where ideas, emotions, and intuition merge naturally. Those are the moments that feel magical to me, human, creative, and deeply genuine.

9. How do you adapt your visual style to meet a client’s vision while preserving the integrity of your work?

Collaboration begins with listening, not to imitate, but to understand what emotion is expected. I reinterpret that through my own style and sensibility. I don’t really see myself as a service provider; I’m an artist first. My work comes from instinct and emotion rather than execution. There are many photographers, but what I bring is my inner vision, something that vibrates from within. That authenticity is what makes each collaboration meaningful.

10. Looking ahead, how do you hope your photography will evolve, and what kinds of projects excite you most at this stage of your career?

I want my work to keep finding its rhythm naturally, by staying curious and open. I’m drawn to collaborations that unite photography with other creative worlds: fashion, flowers, or materials like metal, fabric, or wood. What excites me most is when photography becomes more than an image, when it feels alive, textured, and imperfect, like a story captured between stillness and motion. For me, each photo carries a narrative, an emotion, a trace of life. It’s close to cinema in that way: every frame tells something intimate and real. I don’t want to force a path; I just want to explore and grow through genuine encounters, letting emotion guide my lens.

Schakya Sinhara’s work stands as a quiet yet powerful testament to the emotional depth photography can hold. His images do more than capture appearances—they reveal presence, atmosphere, and truth. With a rare balance of technical mastery and intuitive sensitivity, he transforms each collaboration into a moment of shared authenticity.

As he continues to explore new creative territories, Schakya remains guided by emotion, curiosity, and human connection. His photography reminds us that the most meaningful images are not defined by perfection, but by honesty. Through his lens, we are invited into a world where light becomes feeling, and where every photograph is not just seen, but deeply felt.

Model: Jem Athéna Wacheux @_.jem._w_

Photographer: Schakya Sinhara @schapicshow

https://www.schapicshow.com

https://www.tiktok.com/@schapicshow

https://youtube.com/@schapicshow?si=4W1DoRuLZAA02L4E

Earnest Joseph Odom

Photographer: Earnest Joseph Odom

@evrnest

Assistant: Tony De La Rosa

@tonythedirector

Model: Kira Waszak

@the_official_crimson_rose

Earnest Joseph Odom approaches photography as both an act of preservation and transformation. Grounded in personal history and shaped by collaboration, his work explores portraiture as a space where emotion, identity, and imagination intersect. With a growing pull toward dark, cinematic, and conceptual imagery, Earnest’s photographs feel intimate yet expansive—inviting viewers to look closer, linger longer, and question what lies beneath the surface. His journey reflects not only artistic evolution, but resilience, intention, and a deep commitment to creating meaningful visual narratives.

1. How did your journey into photography begin, and what initially drew you to the medium?

My journey with photography started with disposable cameras. I’d always use up what’s left of the roll taking random snaps throughout my day as a navy brat living in Yokosuka, Japan. Even if the camera was out, I’d still pretend to take pictures. Photography was always a part of my life in some capacity—from disposables, to digicams, to getting my first DSLR after I graduated high school and learning digital photography in college.

As a child, I think I just enjoyed the thought of a moment being documented when you press the shutter. As an adult now, I see photography as a magical opportunity to freeze time by capturing and composing light into visual pieces. What initially drew me further into photography was learning what the craft could expose me to, and harnessing those experiences to grow myself and the things I care about.

2. How would you describe your visual style, and how has it evolved over time?

I’m a portrait photographer, as simply as you can put it. My style consists of photographing people and what they have—and want—to show. Sometimes I have a story to tell, sometimes my models have a look they want to display, and sometimes collaborators bring a vision they want to materialize. I use what I know to bring those ideas to visual life.

We get better as we go. What I truly want to do full-time is dark, low-key, conceptual cinematic portraits—think fully finalized concept art you’d find in behind-the-scenes pre-production material for sci-fi, fantasy, dark thriller, or arthouse films.

3. What themes or emotions do you find yourself repeatedly exploring through your work?

Lately, I’ve been enjoying darker, slightly fantastical vibes in my portraits. When I put ideas together, I ask myself, “How can I make this feel not of this world without being too obvious?” I don’t associate these looks with negativity, but with deeper emotions instead.

Questions like “What’s in the shadows?” or “What feelings are hidden underneath?” are what I want viewers to ask when they see my work.

4. Which subjects or types of shoots make you feel most creatively alive, and why?

Having my own venue in Lakeland, Florida has been huge for me creatively. Professionally, I do a lot of branding work and event coverage, where I’m often at the mercy of the environment. That can be challenging.

Being able to dive into studio work has made me feel like the possibilities are endless—as long as I can afford it. Having control over my creative space is what makes me feel the most alive creatively.

5. How do you approach storytelling within a single image or a full series?

I take two approaches: either I create a production plan based on the needs of a concept, or I let things happen naturally.

Production planning is something I learned in the video world and have been applying loosely to photography. If a project requires specific talent or logistics, planning ensures we’re focused and respectful of everyone’s time. That said, some of my best work comes from sessions that feel more like meet-ups with other creatives—where we build something together in the moment.

Being flexible with both approaches gives me more opportunities to create meaningful art.

6. What role does collaboration play when working with models, stylists, or designers?

To me, collaboration is everything. I can confidently say it’s a major reason I’ve had any success in photography. My models, stylists, designers, assistants, and crew are collaborators in everything I do.

I understand my role as photographer, videographer, or director, but it’s just as important that my team feels heard, secure, and empowered. My photography journey has never been a solo one.

7. Has there been a particular project or moment that significantly shaped your career or artistic direction?

Most recently, my EVE photo series lit a fire under me to truly get my name out there. Before that, THE TOWER—a series I shot in 2025—was deeply emotional. It came after a relentless series of low moments in my life and allowed me to prove to myself that I could heal and rebuild into a stronger artist and person.

An honorary mention goes to a photo series I did with my wife, Kaley. That impromptu living-room shoot revitalized my passion when I was at my lowest and considering never picking up a camera again. If that session hadn’t happened, I probably wouldn’t be photographing today.

8. How do you balance technical precision with emotion and instinct while shooting?

Technical precision should be trained until it becomes instinctual. The more you master focus, exposure, composition, and light, the more space you create for emotion and storytelling.

Learning the hard rules gives you the freedom to bend—or even break—them in order to make more effective art.

9. What challenges have you faced in the industry, and how have they influenced your growth as a photographer?

I live in a city with small-town vibes and big-city energy in Central Florida. As a mixed Black, Asian, and Pacific Islander man, trying to push creative boundaries here hasn’t been easy. The local creative infrastructure isn’t where it needs to be, and sustaining momentum is difficult.

On top of that, I’m also a bar and venue owner. Balancing authority, community building, photography, and family—especially after becoming a father twice—has been incredibly challenging. But I’m driven to be more intentional, more focused, and better in both my craft and my responsibilities. I have something to show, and I want it to be seen.

10. What are you currently working on, and what can we expect from you in the next chapter of your creative journey?

I’m continuing to build my venue, The Barter Box in Lakeland, into a space that supports creativity—adding photo and video production amenities while expanding music performances and events.

I come from both video and music backgrounds, and I’m eager to bring those worlds together again. I see more collaborations ahead, more conceptual work, and explorations into short films, music videos, and promotional pieces. Ideally, one project will lead to another, and I’ll continue building creative spaces both within my city and beyond it.

Conclusion

Earnest Joseph Odom’s work is a reflection of persistence, collaboration, and quiet transformation. Through controlled environments and spontaneous creation alike, he continues to shape imagery that feels intentional, cinematic, and emotionally resonant. As his practice expands across disciplines and formats, his commitment to community, storytelling, and creative growth remains unwavering—marking the beginning of a powerful and purpose-driven next chapter.

Maryse Selit Interview

Maryse Selit is a rare presence at the intersection of intellect, resilience, and artistic expression. An American entertainment lawyer and fashion model based in New York City, she has represented celebrities and C-suite executives in complex media and corporate transactions, negotiating multimillion-dollar deals at globally recognized firms including Proskauer Rose, Hogan Lovells, and Reed Smith.

Alongside her legal career, Maryse has cultivated a modeling practice grounded in editorial and conceptual storytelling. Her work explores visibility, authorship, embodiment, and emotional truth — shaped by lived experience, personal loss, illness, recovery, and spiritual and artistic practice. Rather than chasing surface aesthetics, she brings narrative gravity and psychological nuance to every frame, creating imagery that feels intentional, layered, and deeply human.

Interview with Maryse Selit

1. How did you first enter the world of modeling, and what motivated you to pursue it seriously?
I entered modeling shortly before and during law school, initially as an act of pragmatism—to fund my education. But within that necessity, something else surfaced. Modeling became a counter-narrative to the intellectual austerity of legal training. It offered a space where the body was not incidental, but central—where meaning was conveyed through presence rather than oral argument or the written word. When I entered Big Law and began working eighty-hour weeks as an associate attorney, that space collapsed and modeling, like many other forms of my self-expression, was suspended in service of duty and expectation.

2. How would you describe your personal style, both on and off camera?
On camera, my style leans toward restraint—clean lines, shadow, and a certain emotional austerity. I’m drawn to fashion as structure, as architecture for the body. Off camera, that rigidity dissolves. My private aesthetic is playful, almost childlike. I paint, design, and rearrange interiors, experimenting with abstract color and texture without attachment to outcome. Even while working as a lawyer, those practices were a form of quiet resistance—ways to preserve imagination inside a profession defined by precision and control. That contrast between discipline and playfulness continues to inform how I move through both life and fashion.

3. What does modeling mean to you beyond posing for the camera?
Modeling is a form of embodied authorship—an act of reconnecting with self through movement, stillness, and expression. It is not about decoration, but interpretation—translating concept into corporeal language. Beyond posing, it is attentiveness to space, breath, and presence. It allows vulnerability without spectacle and emotion without explanation.

4. Which type of shoots make you feel most confident or creatively fulfilled, and why?
Editorial and conceptual shoots fulfill me most—particularly projects that embrace darkness, ambiguity, and psychological tension. Fashion is most powerful when it resists easy clarity. As someone who has explored Abstract Expressionist painting, I’m drawn to narratives that live between control and collapse, elegance and discomfort. Those spaces feel honest.

5. How do you prepare mentally and physically for a shoot or runway show?
Preparation begins with grounding—rest, hydration, and mental clarity. I take time to understand the concept and remove distractions so I arrive fully present. After experiencing serious illness and loss, my relationship with my body changed profoundly. It became a mode of survival. My focus shifted toward strength, health, breath, and consciousness rather than external markers of success.

6. Have you faced challenges or misconceptions in the industry, and how have they shaped you?
There are always assumptions—about age, intention, appearance, and trajectory. I’ve learned not to fight them directly but to move through them quietly. My life has included extremes: poverty, scholarship, elite legal education, global law firms, entrepreneurship, deep loss, serious illness, and rebuilding. That breadth removes the need for external validation. It has shaped my work around discernment and authorship rather than approval.

7. What role does collaboration play for you when working with photographers, designers, and other creatives?
Collaboration is foundational. Fashion is collective construction. The strongest images emerge when ego recedes and intention aligns. I see each project as a dialogue where meaning is developed together, not imposed.

8. Is there a particular shoot or project that marked a turning point in your career?
The turning point was not a single shoot but a return. After devastating personal events and illness, much of what I had built fell away. During recovery, modeling re-emerged not as ambition but as lifeline—a source of renewed presence and creative identity.

9. What message or emotion do you hope viewers feel when they see your work?
I hope viewers feel something unresolved—strength alongside fragility. I want the work to suggest endurance rather than perfection. Discomfort, stillness, or recognition are enough. I’m more interested in opening emotional space than providing answers.

10. What are your current goals, and how do you envision the next chapter of your modeling journey?
My goal is to continue working with publications and creatives who value storytelling and artistic risk. The next chapter is about intention and depth. After being diagnosed with severe diabetes unexpectedly, my priorities shifted decisively toward health, fitness, and meaning. Modeling became part of that reclamation—a reminder of life, agency, and creative voice.

Maryse Selit brings uncommon depth to the modeling space — a presence shaped by intellect, survival, discipline, and creative courage. Her work stands apart for its emotional weight and conceptual clarity, reminding us that fashion imagery can be more than visual — it can be reflective, interpretive, and transformative. As she continues to align with projects that honor narrative and artistic risk, her trajectory points not just toward visibility, but toward lasting impact.

Female Model: MARYSE SELIT

@msn_straight_talk_

Photographer: Larry Ulesson Alves

@msn_straight_talk_

Hair Stylist: Kuki Alrawi

@kukiny

Makeup Artist: Rachel Skincare

@rachelskincarenj

Jonah Mullins Interview

There is a quiet intensity to Jonah Mullins’ photography—an intimacy shaped by shadow, silence, and an unmistakable respect for the stories unfolding within each frame. Rooted in fine art portraiture and the vast, emotive landscapes of Appalachia, his work moves fluidly between human vulnerability and the stillness of the natural world. Drawn to black-and-white imagery, Jonah uses light and contrast not just as visual tools, but as emotional language, allowing each image to breathe, linger, and speak on its own terms. In this interview, Jonah opens up about his journey into photography, the power of authenticity, and the role storytelling plays at the heart of his creative process.

1. How did your journey into photography begin, and what first inspired you to pick up a camera?
I began shooting photography as a hobby eight years ago. My daughter, who is also a photographer, encouraged me to pick up a camera and go on photo walks with her. From there, I fell in love with the medium and have been shooting ever since.

2. How would you describe your visual style or artistic signature?
I would have to say that my artistic signature is moody photography with an emphasis on light and shadow, as well as rich tonal contrast. There is something about black-and-white imagery that lends itself perfectly to my style.

3. What themes or subjects do you find yourself repeatedly drawn to in your work?
I am drawn primarily to two distinct types of photography: fine art portraiture and nature/landscape photography. I have always been fascinated by human behavior, and exploring themes of vulnerability and authenticity has always been a sweet spot for me. I am also a child of Appalachia, and landscapes—particularly at golden hour—are my favorite.

4. Can you walk us through your creative process, from concept to final image?
It really depends on what I am shooting. For fine art or conceptual shoots, it begins with a collaborative discussion with my subject(s). As a photographer, I find that when we share a general vision for the tone and direction of the shoot, I do my best work.

For Days Gone By, the concept was inspired by the mask used in the shoot as well as the wedding gown. We discussed how to bring the idea to life and suddenly realized: what if the shoot was about capturing the isolation and loneliness of abandonment—creating a visual narrative that walks the viewer through the stages of realization the bride experiences before understanding the truth of her abandonment by her would-be groom? In that moment, we knew we had found the right direction.

For landscape photography, the process begins with capturing locations I find beautiful. I hike often, which is how I discover many of the places I photograph.

5. Which project or shoot has been the most meaningful or transformative for you so far, and why?
In November, we experienced a major aurora event here in Ohio, and we were able to see the Northern Lights with the naked eye. I grabbed my camera, set up in 20-degree weather, and shot until I couldn’t feel my fingers. To this day, those images are some of the most magical and memorable of my career. Seeing something so extraordinary this far south was an absolute gift—one I will treasure forever.

6. How do you build trust and connection with your subjects, especially in more intimate or expressive shoots?
The simple answer is authenticity. When I speak with a model—whether it’s our first shoot or we’ve worked together before—I am consistent in who I am. I don’t approach people with a slick sales pitch or empty promises just to secure a shoot. From our first conversation to the final shutter click, I want everyone involved to know exactly who I am. Consistency, to me, is a demonstration of reliability.

7. What role does storytelling play in your photography?
I like to think that before I was a photographer, I was a storyteller. Storytelling sits at the core of the art I create. Every day, the world offers us stories, and as an artist, my goal is to honor that truth. When creating fine art, I want the viewer to feel that the narrative is cohesive, while still leaving enough room for their imagination to fill in the gaps. A little mystery always makes for a good story.

8. What challenges have you faced as a photographer, and how have they shaped your artistic growth?
Initially, learning the technical aspects of photography was a challenge—understanding lighting, posing, and creating visually dynamic compositions. However, the biggest challenge I faced, and still face to some degree, is believing my art is worth being seen. Self-doubt has been difficult to overcome, but as I’ve grown more confident, it has become a tool for honest self-evaluation rather than discouragement.

9. Who or what inspires you—within photography, art, fashion, or beyond?
I am constantly inspired by photojournalists who travel the world telling the stories that need to be seen. When I was a child and first saw The Afghan Girl photograph by Steve McCurry, I was completely transfixed. Beyond its striking visual impact, the story behind her eyes conveyed the desperation of those displaced by war in a way that stayed with me.

10. What advice would you give to emerging photographers looking to develop their voice and stand out in today’s industry?
First and foremost, never stop taking pictures. Shoot whenever you can, explore the styles that resonate with you, and don’t be afraid to evolve. Reinvention and self-reflection are critical to discovering your voice as an artist. When your photographs begin to reflect the emotions you feel in the moment, you’ll know you’re on the right path. Once you understand yourself, the rest will follow.

Conclusion

Jonah Mullins’ photography reminds us that the most powerful images are not always the loudest, but often the most honest. Through a careful balance of light and shadow, emotion and restraint, his work invites viewers into quiet moments of reflection and connection. Whether documenting human vulnerability or the fleeting magic of the natural world, Jonah approaches each image as a story waiting to be told. His journey stands as a testament to the power of authenticity, patience, and the courage to let art speak from a place of truth.

Model: Amanda Snyder

@buckeyechickd

Photographer: Jonah Mullins

@jonah_mullins_photography

Jasmeena Azzo

Fire, Expression & the Art of Becoming

From early childhood moments shaped backstage at beauty pageants to a creative present fueled by fashion, performance, and fearless self-expression, Jasmeena Azzo embodies a new generation of multidimensional talent. Model, singer, and actress, she moves fluidly between art forms, guided by instinct, individuality, and a deep love for creative freedom. Her aesthetic blends pop culture influences with bold experimentation, while her mindset remains grounded in authenticity, persistence, and passion.

Singer, Actress, Model

In this interview, Jasmeena opens up about her journey into modeling, the inspirations that shaped her confidence and work ethic, and the importance of embracing imperfection as part of the art. What emerges is a portrait of an artist who is not only discovering her niche—but actively defining it.

Interview with Jasmeena Azzo

How did your journey into modeling begin, and what first drew you to the industry?
The journey initially started when I was a young child. My mother used to take me to beauty pageants and auditions for agencies. What really drew me in was my friends asking me if I could model products for them, as they liked my character. I ended up keeping up with it because I enjoy being expressive.

How would you describe your personal style, both on and off camera?
I would consider my styling choices to be more revolved around pop fashion, or similar to what R&B artists wear. I’m also very much inspired by a toy brand that shares a passion for fashion.

What has been the most defining or transformative moment in your modeling career so far?
So far, it’s been my friends finding out that I’m finally interested in pursuing modeling seriously. Since then, I’ve been getting contacted for collaborations, and I can’t wait to work with everyone to create some unique pieces.

How do you prepare mentally and physically before a shoot or runway show?
I like to make sure I have my outfit and makeup fully done in advance so I have time to look in the mirror, check my poses and facial expressions, and adjust anything that might become uncomfortable during the shoot.

Which types of projects or themes excite you the most creatively, and why?
I really enjoy using flames in my photos. I’ve always been somewhat of a pyro as a child. After my last shoot, I figured out how to set items on fire safely without causing damage to myself or the items, and I can’t wait for the next time I get to use this element.

Has modeling changed the way you see yourself or your confidence? If so, how?
Modeling has made me a lot more confident. It made me realize that I can involve myself in my own art and my own ideas, and that being creative is far more rewarding than simply being seen as cute.

Who or what inspires you within fashion, art, or everyday life?
My biggest inspiration is my mother. She shaped my style, allowed me to explore extracurriculars like choir and theater—which helped form my personality—and she is a very hard worker. Watching her helped shape my persistence and work ethic.

What challenges have you faced in the industry, and how have they shaped you as a model?
I’ve been denied a lot of jobs without ever really understanding why. Was it my look? My shape? My ethnicity? My age? I’ll never fully know. But you can’t sit and be upset about not being picked—you have to keep applying yourself. I’ve learned not to give it a second thought.

What do you look for in a collaboration with photographers, designers, or creative teams?
I look for passion—people who truly love the medium as an art form. I used to care a lot about the work being perfectly clean, but sometimes it’s the imperfections that add the sparkle you need to really feel connected to the photos.

What advice would you give to aspiring models hoping to carve their own path in the industry?
Don’t compare yourself to anyone and don’t let yourself down if you don’t feel like a model. Anyone can model—it’s just a matter of finding your niche and highlighting it.

Conclusion

Jasmeena Azzo’s journey is one of self-belief, creative courage, and quiet resilience. Through rejection, reinvention, and exploration, she has learned that true artistry comes from within—when expression outweighs approval, and individuality becomes the strongest signature. Her approach to modeling goes beyond aesthetics; it is about emotion, storytelling, and connection, even when that connection is born from imperfection.

With a foundation shaped by her mother’s influence and a future driven by passion rather than comparison, Jasmeena continues to carve her own path—one defined by fire, creativity, and authenticity. She is not waiting to be chosen. She is choosing herself.

Model: @jasmineena

Cr Dir & Business owner: @ammj.solutions

Photo: @hyder.alfalih

MARC EVANS INTERVIEW

Few photographers capture the essence of femininity with the same depth and sophistication as Marc Evans. With an artistic journey influenced by the legendary Helmut Newton, Evans has mastered the art of telling stories through his lens—stories that celebrate women as strong, magnetic, and undeniably powerful. For decades, he has explored the fine balance between glamour, sensuality, and character, creating imagery that is both timeless and provocative.

In this exclusive conversation, I had the pleasure of speaking with Marc about his inspirations, his philosophy, and the enduring allure of sophisticated sexiness.

Your photography has often been described as sophisticated and seductive. What draws you most to exploring sensuality and glamour through the lens?
I decided at a very young age to work in this industry because I got a hold of Helmut Newton's work. I was impressed with how he shot glamour without degrading the model into just an object but kept her powerful and strong. I still work in this way today: sophisticated sexiness.

Helmut Newton’s influence on your career is undeniable, yet your work stands apart. In what ways have you transformed that inspiration into something uniquely your own?
To just copy your hero or a master can only end in disaster. You can be influenced by a master, but you need to find your own way and style. I'm still working on it every day. But to be told my work reminds people of Newton is the biggest compliment I can receive.

You often say that a photograph must tell a story. How do you build a narrative around a single image, especially when working with fashion and erotic elements?
Of course I know who I will work with next, so I try to build up an idea around the woman I work with. Clothes are secondary for me. The girl needs to be the center of the story. And as Newton said, if a photographer says he's not a voyeur, he's a liar. So of course my personal taste goes into a photo.

Your portraits of women exude both strength and allure. How do you balance empowerment with sensuality in your imagery?
Women in general for me are way stronger than men, so that comes easy. I don't think you see women in my photos who are vulnerable or weak. The women in my work are strong and powerful.

Do you see your photography as a celebration of femininity, or more as an exploration of desire and fantasy?
Exploration, absolutely not. Feminine, hell yes. Desire and fantasy, obviously. I love everything about women, so I try to show them in the best light possible.

Over the decades, technology has shifted from film to digital and now to AI-driven tools. How has your creative process evolved while staying true to your vision?
Going from film to digital was a huge step for me. I would still prefer to shoot film, but no client has the time anymore to wait days or weeks for results. Because of digital, a lot of people now think they are photographers. If you press the button long enough, eventually you get a result you can live with. Twenty years ago, you had to know what you were doing. There was no makeover. But of course now, because of digital, we have tools in post-production that 20 years ago in a darkroom were simply not an option. AI—I'm not a big fan. You don’t have the feeling of a real person on location, the emotions, etc., as if you just produce the whole thing on your couch. That's not photography anymore. But time will most likely prove me wrong.

You mention that each woman has her own individuality. How do you capture that essence quickly, often within the short timeframe of a shoot?
That's a tricky one. I try to talk to the model as much as possible during hair and makeup. I try to get a feel for the person behind the mask and make her as comfortable as possible. Since having your photo taken is a very personal and intimate situation, if the model is uncomfortable, you will always see it in the final work.

Some critics argue that glamour photography risks objectifying women. How do you respond to that, given your emphasis on personality and character?
There are a lot of magazines out there who do exactly that. But like I said before, my models are strong, sexy, and powerful—never an object of lust. I'm not in this industry to meet half-naked women. I'm in this industry to tell or create a story around the model. A lot of amateur photographers just shoot lingerie to see or meet half-naked women. My advice: sell your camera and get a different hobby.

Fashion photography has always had a commercial side, yet your work feels deeply artistic. Where do you draw the line between commerce and art?
Time. I have been doing this job for a long time, of course. When I started, I shot what the client wanted, no ifs or whens, no matter if I liked it or not. Now, after doing it for so long, I get booked because of my style. So luckily, I shoot what and how I see it.

If you were to define your legacy in a single phrase, what would you want people to remember about the “Marc Evans” style of photography?
He was like Helmut Newton.

Speaking with Marc Evans was a rare privilege. His words reveal the same qualities as his photographs: confidence, passion, and a relentless commitment to portraying women with strength and allure. What shines through is his belief that glamour, when done with respect, becomes not exploitation but exaltation.

Marc Evans continues to push boundaries while staying true to his vision. His work is not only an homage to Newton but a testament to his own enduring artistry. With every image, he proves that sensuality and sophistication can coexist — and in his hands, they do so with unforgettable power.

“THANK YOU DARKLY MAGAZINE. I LOVE YOU MAG.” — Marc Evans

Photographer Marc Evans @marc_evans_photography

Interview conducted by Lyra

DUSIL PHOTOGRAPHY INTERVIEW

Model: Silvia Dellai @silviadellai_999

Model: Helena Jenisová @helena_fitandfunn

Photographer: Gabriel Dusil @gdusil

https://www.facebook.com/gdusil

https://dusil.org

Model: Eveline Dellai @evelinedellai

Model: Mia May @ _sweet_miamay

Model: Jessica Acissej @anhl1

In the realm of photography where the human form is often reduced to surface beauty, Gabriel Dusil carves a path that is altogether different. His vision transforms the nude into something beyond flesh — a living narrative of light, shadow, and soul. With each image, he unveils vulnerability as strength, desire as poetry, and intimacy as art. Dusil does not simply capture his muses; he listens to them, feels them, and translates their essence into visual symphonies that balance raw honesty with technical mastery. His work exists at the delicate threshold between art and emotion, where restraint amplifies truth, and simplicity reveals the infinite.

1. Your work transcends simple portraiture, transforming the nude into a symphony of light, form, and emotion. How do you define artistic nude in contrast to other photographic genres?
Transcending Portraiture
The following three themes summarize my style:

Emotions & Storytelling • From initial scouting and negotiations to editing, publication, and web design, every phase is crafted according to an evolving artistic vision. Nude art transcends the female form - it seeks to convey deeper narratives and emotions. I continually improve methodologies, tools, and workflows to evolve visual storytelling. It’s less about capturing unique poses and more about scouting models who are willing to reveal their primal spirit.

Creativity & Art • Aspects of technology, physics, and techniques can be taught to anyone, but photography is about boundless creativity. Discovering one’s artistic soul is transcendental. I try to find a meaningful story and photograph its narrative. Connecting emotionally with each model is the beginning of a photographer’s journey to greatness.

Passion Drives the Soul • The Soul Drives Passion • When we’re passionate, we perceive the world differently. A creative journey requires confidence, perseverance, and skill. Avoid distractions and require focus. I’m passionate about my hobbies. Through my lens, I get to explore boundless creativity. Photography intersects with my love of writing, graphic design, and motion graphics.

2. You often describe the model as a muse — a vision at the heart of the image. How do you establish the trust and vulnerability necessary to capture that hidden pulse of her spirit?
Nude Lifestyle
Nude art evokes emotions of eroticism and sensuality. Its foundation originates from Hugh Hefner’s Playboy, launched in 1953. My portfolio is currently centered around a similar Muse style. This technique involves a model posing as if the photographer is her partner. I aim to create an intimate connection between the viewer and the model by transforming an image into foreplay.

A publisher recently told me, “Our style is free-flowing storytelling.” In this approach, models are going about their day and happen to be naked. Models are still posing for a photographer, but the backdrops are not predominantly staged. This style was popularized by Sports Illustrated Swimsuit, first published in January 1964, and currently reflected in publications such as Marley, Live Fast, and Playboy’s photographer Ana Dias. Lifestyle storytelling represents the evolution of nude art photography.

Processing Creativity
Synchronized emotions organically inspire my best work. I want all my models to give themselves to me completely because I'm doing the same in return - no inhibitions, no distractions, and no insecurities. Purity from the depths of our souls. This is my path to capturing the best photos. Even if I get to this stage, I don’t stop there. My goal is to capture her visceral energy - her wild and feral emotions that are rarely seen by anyone. Getting to this level is extremely rare. If I succeed, then our photos take on a spiritual meaning.

I gravitate to a select number of poses, but I also give my model the creative freedom to see their full potential. I visualize photoshoots flowing down a river with both of us taking turns steering. When our flow is synchronized, the session takes on new meaning.

Our first hour is dedicated to relaxing and getting to know each other. This usually starts with a cappuccino, followed by chatting and prioritizing outfits. Shooting begins with a warm-up, letting my model ‘do her thing’ to see how she expresses herself. Once the session establishes its flow, I start to offer direction. I’ve documented my entire workflow here • dusil.org/photography-workflow.

To capture the beauty of the female form is a privilege. Exposing her vulnerability is an honor. Giving me her soul is the greatest gift.

3. Posing in your photographs feels less like direction and more like poetry. Can you share how you guide your models to move in ways that embody this sense of lyrical storytelling?
Where Empathy Becomes Art
I make a concerted effort to understand the nuances of my model’s personality and appreciate her vulnerabilities. I avoid photoshoots that are sterile business transactions. My models will never be confined to a virtual bubble at one end of the studio, while I’m isolated at the other. Hiding behind virtual walls prevents her from elevating to a metaphysical experience. Without compassion on both sides, we won’t reach our creative goals.

Sessions where we immediately connect are my favorite - as if we’ve known each other for years and we’re meeting for yet another amazing photoshoot. The experience is so immersive that we're surprised that three hours have transpired. These moments bring me deep joy.

Body language is important, but posing needs to be fueled by passion. A common thread with amazing shots is mutual empathy. If I succeed in capturing her emotions, my job is done.

My most memorable moments are with models who resonate with me on a spiritual level. I’m always looking for a muse to take my photography to the next level. She would be someone whom I trust completely. We would open our souls, and she would gift me her wild side. We’ll intertwine through our photoshoots like water flowing down a river. Each interaction will be so profound that it will make me cry with joy.

4. Light in your imagery feels alive — sculpting, caressing, and revealing. What role does light play in shaping the emotions and narratives behind your photographs?
Nude Juxtaposition
Due to my shooting style, venues need to be vacated. Studio photography is ideal for controlling the environment and maintaining uninterrupted privacy. Some nude models prefer this setting as it removes the risk of onlookers. In terms of aesthetics, I'm drawn to modern industrial designs with wood, iron, glass, marble, ceramics, and large windows. Natural lighting is preferred as it raises ambient luminescence, but I bring several studio lights to fill in the shadows. This allows for faster shutter speeds.

My images are mostly shot at an aperture of F/1.4 and between ISO 50 and ISO 400. Anything over ISO 1000 is too grainy for my taste. I also shoot consistently at -1 EV as it doubles my shutter speed. Lights and shadows are critical to creating depth and mood.

For outdoor sessions, golden-hour photoshoots are ideal, with backdrops that combine nature and person-made structures. Finding a private yet public location is part of the challenge. Modern architecture with industrial textures is a great backdrop. I look for settings that invite leading lines juxtaposed against the flow of an alluring model.

I dedicate around ten percent of our session to “social media-friendly” images. My preparation suggestions for models are here • dusil.org/preparation-for-models.

5. In a world where photography is often driven by spectacle, you embrace restraint: minimal props, subtle styling, and settings that cradle rather than consume. Why is simplicity so powerful in your artistic vision?
Through the Lens • Into the Soul
Props and complex scenes are distracting. My images need to focus on my model’s true essence. From the moment she enters the studio, I want her to be known. Likewise, when a viewer admires my photos, I want them to feel the same way. Any distraction surrounding the model, including her clothing, serves as a golden ratio that converges onto her soul.

The success of every photoshoot centers around trust. Being genuine, personable, and professional usually leads to an amicable level within the first hour. Asking a model to reveal her inner spirit is a tall order. But when successful, we have the freedom to create magic.

Every photoshoot should be an existential experience for both of us – to become friends and appreciate each other as emotional and vulnerable human beings.

6. The eyes, in your words, “speak the truth.” How do you capture that fleeting honesty — a look that seems to echo far beyond the frame?
On the Fringes of Art Erotica
Nude imagery evokes our deepest desires. One side sees the human body as an art form, while the other condemns it as an abhorrent perversion. I’m well aware of the demarcation between art and erotica. Nude art is elegant, alluring, and sensual. What’s not shown is often more intoxicating than revealing everything. Desire that’s slightly out of reach.

I look for moments where longing for intimacy is at its peak. Once the mystique is revealed, then art succumbs to erotica. I love to play on the fringes of nude art before crossing over to erotica.

7. Your work balances precision with emotion — technical mastery with raw vulnerability. How do you harmonize the technical demands of photography with the unpredictability of human feeling?
Improvisational Infinity
When a musician recites notes from a page, they demonstrate a baseline. Improvisation is achieved when music is expressed through subconscious intuition. Photography is no different. When a photographer and model are emotionally synchronized, their collaboration takes on new meaning.

I photograph images that I find alluring and provocative, catering to an audience of one. If it doesn't spark an emotion, then the image is deleted. I want all my models to be proud of the images we created.

Empathy is the cornerstone of nude photography. Eyes are the gateway to the soul, and the lens is my gateway to her eyes. All emotions are revealed when the depths of her spirit stare back at me.

8. Many of your images feel timeless, as though they belong both to the past and the future. What influences — artistic, cinematic, or literary — have shaped the eternal quality of your storytelling?
Freedom • Emotion • Intensity
My mother, a retired veterinarian, was also a prolific oil painter. My sister inherited her skills and inspires me daily.

My first coffee table book was Herb Ritts, Works (1989), which still resonates with me. In the ’90s, I was greatly influenced by Sports Illustrated photographers Russell James, Raphael Mazzucco, and Walter Iooss Jr. Among fine art nude photographers, Bruno Bisang, Andreas Bitesnich, and David Bellemere shaped my vision. Currently, I admire Alexander Mavrin from St. Petersburg.

Inspiration also comes from shapes — I see the female body as a flowing river. Sensual curves are alluring and provocative. My emotion board includes angel wings, roses, leopards, owls, and the code of Bushido. Three words describe my photoshoots: Freedom, Emotion, Intensity.

9. The nude has long been celebrated in painting, sculpture, and photography, yet it is still met with controversy. What responsibility do you feel as an artist in presenting the nude with dignity, strength, and empathy?
Artistic License
I face significant scrutiny for the very specific requirements I have regarding the females I’m willing to photograph. My artistic focus is specific, and I’m happy to keep it that way.

Outside of my published limits, I’m willing to make exceptions for models who actively prioritize their physical and emotional well-being. Everyone is beautiful regardless of culture, shape, or age. But my vision is particular, just as a landscape artist may choose mountains over oceans.

10. If you could distill your philosophy into a single message for both your audience and the models who entrust you with their vulnerability, what truth would you want them to carry with them?
A Teacher & Forever A Student
My axioms are centered around a unique combination of wisdom, confidence, and empathy. Empathy is the cornerstone of nude art photography. Confidence reveals the soul, and wisdom comes from listening and learning.

As a teacher I know when to guide, and as a student I know when to learn. This balance defines my creative journey.

Conclusion
To encounter Gabriel Dusil’s photography is to step into a dialogue between vulnerability and power, intimacy and artistry. His devotion to empathy, trust, and authenticity elevates nude art into a spiritual language — one where every curve becomes a verse and every glance a revelation. In his world, the model is never just a subject, but a muse whose spirit flows into the frame with unguarded truth. By harmonizing passion with precision, and light with emotion, Dusil redefines the boundaries of what nude photography can be: timeless, dignified, and profoundly human.

Mimesis ’25: Anna Kosidło’s Circus of Shadows and Dreams

In the world of emerging fashion, few designers manage to so seamlessly merge narrative, artistry, and emotion as Anna Kosidło. With a vision that transcends clothing, their work exists at the intersection of theatre, cinema, and dreams—where garments transform into characters and fashion becomes a storytelling device. Their graduation collection MIMESIS ’25, created in collaboration with film director Femke Hamelaar, immediately caught attention for its daring blend of German Expressionist influence, surreal archetypes, and poetic silhouettes. What sets Anna Kosidło apart is not just technical mastery, but an ability to channel vulnerability, imagination, and raw sensitivity into wearable art. Through their designs, fashion takes on the role of fable—revealing hidden emotions, sparking curiosity, and reminding us that beauty is most powerful when it aches just a little.

1. Tell us about your graduation collection. What inspired the concept behind it?

‘MIMESIS ’25’ is a fashion project created in collaboration with film director Femke Hamelaar, where costume became a storytelling device.
Set in a stylized circus world, the narrative follows Juliette, a 20-year-old acrobat unraveling under emotional pressure. Each character embodies an archetype—the dreamer, the distant father, the paralyzed mother—expressed through exaggerated silhouettes, stylized textures, and symbolic contrasts.
Influenced by German Expressionist cinema, the collection embraces theatrical distortion and shadowed emotion. The garments heighten the narrative through visual exaggeration—sharp tailoring, flowing fabrics, and sculptural forms reflect the characters’ internal states.
Floral prints derived from hand-drawn sketches offer a delicate contrast to the bold silhouettes—softness within intensity. These motifs, reinterpreted into editorial visuals, blur the line between fable and fashion, making the characters feel both timeless and surreal.
My designs are meant to build a heightened emotional reality—where clothing reveals what words cannot, and each figure becomes a living symbol within an exaggerated world.

2. How has your time at Willem de Kooning Academy shaped you as a fashion designer?

Now, when I can look at it as a whole, after having finished my 4 years of study, I am realizing that I have, in a way, made a full circle in my journey—refining what I started with.
I came to study fashion full of enthusiasm, but with a false sense, that I already had my vision all-figured-out and I just needed to learn some technical skills to execute it. Like a naive child I assumed everyone would immediately understand and fall in love with my world—oh boy, it was not an easy journey, but surely a fascinating one!
At some point I lost my spark a bit; I felt discouraged and started comparing myself to all other talented designers. I doubted whether my interests were valid, I was almost ashamed of them and tried to fit into so many boxes by sticking with visuals and styles that did not truly represent me.
But that made me realize how determined I was, to learn, to make mistakes and take lessons out of them. And despite hardships, I could not imagine my life without art and fashion, it became an integral part of me. I later realized I needed to stay true to myself and my work would only stand the test of time, if I followed my intuition.
So I do, I revisit my childhood dreams, my fantasies, fables and fairy tales, and I give them a new form, in which they can exist and communicate who I have become.

3. What emotions or messages do you hope people feel when they see your designs?

I want spectators to have an experience, which is hard to put into words. That feeling of inspiration, curiosity, other-worldliness, as if you had butterflies in your stomach and suddenly trespassed different dimensions. Charm and love; purification of the heart.
I want them to feel connected to their secret dreams and the tender parts of their soul. Whenever an art piece makes me feel like that, even for a split second, it is a bit life-changing. I hope I can awaken this in people. Sensitivity is not an easy emotion, which we express commonly, in daily situations. I do not think it is even possible to ever understand, so I want people to be able to contemplate it within their hearts when they see my creations.

4. Can you walk us through your design process—from the first idea to the finished piece?

It is truly like a mozaic of inspirations, ideas, experiments, rejections... My process is like a big collage itself—so, funnily, I often start with mood boards or collages, all done physically, with magazine and book cut-outs, inspired by a mirage of my interests—they could come from books, films, literature, people I met, travels. I often dig for references in my past memories too.
Since I was two years old, I have been ‘noting’ my ideas by sketching, so that is how I collect my material—through concept sketches. Then I usually dress the message I want to convey in characters, as it helps me put certain elements into a frame—this is kind of how I think in general; I have a catalogue of characters in my head, with names and backstories, and I use them as tools to process different emotions within me. And to show the universe those characters reside in, I then go onto textile samples, I make small-scale moulages, I edit pictures in Photoshop to find interesting shapes—I tend to manipulate proportions especially. And then, when it is all abstract and whimsical—I try to somehow make it work! I just immediately go into sewing, allowing a bunch of ‘happy accidents’, as if I were sculpting, till I am satisfied. Finally, I decorate to the brim, with focus on small details (that might be my favourite part!). And to broaden the vision I find photographers who can re-frame my ideas and breathe a new life into them.

5. What materials, textures, or techniques do you love working with the most, and why?

I am a big lover of see-throughness—I think it reflects my passion for showing glimpses of my inner world; how tangled and complex it can be, but without ever revealing the whole picture. Keeping a bit of mystery in there. That is why I often go for organza, as you can print images on it and layer them like collages—then you get fantastic colors, slightly muddy, almost rotten, which reminds me of flower petals, nature, waves of the sea, earthly wonders. On top of that I would add some tulle, especially black or white, and then lace with many different patterns, perhaps some yellowish shiny latex, feathers, loose thread. I have injured my fingers so many times while burning my textiles or sewing on sequins by hand!
I like surfaces that you can decode piece by piece, which change in the light, which you can get fascinated by. Blocks of color and smooth expensive textiles are not for me, as for now. I also love to incorporate elements of second-hand vintage garments in my designs—old buttons, ribbons or embellishments—it is like putting a mysterious spirit from the past into the piece.

6. This photoshoot brings your work to life—how did you collaborate with the photographer to express your vision?

I can imagine that my garments without the wonderful work of photographers are like thoughts that remain in one’s head, but never expressed in action, are unknown to the world and eventually die a quiet death in the fields of imagination.
I love photography, for it captures a certain scene; like a movie still, and encapsulates that atmosphere in a picture, which is a physical proof of that dream.
I think of myself as extremely lucky to have come across Fred Baggen, as he himself is surely more of an expert in the field of expressionist silent cinema than me, and he is always enthusiastic and full of his own ideas. Our ‘fable’ therefore came to life very quickly—it was as if we were reenacting a movie scene. We used a beamer to reflect images on the structure of the garments; played with various set ups and images. I felt truly immersed in the character of an expressive bewitched heroine, as Baggen did his magic and then surprised me with a variety of different variations—blurry and dreamy, sharp and unnerving; bright and vibrant or focused on contrast of black and white—polar opposites. A true maestro!

7. Who are some designers or artists (past or present) that inspire your creative world?

I could really write an endless list of my influences, as I consume a lot! But I remember one of my first great inspirations was a Polish assemblage artist, Władysław Hasior, whose work is full of folklorist themes, often rooted in Slavic mythology and local culture. They are a bit scary but they truly pierce your soul, especially placed in the ambience of his gallery, which is located in an old wooden cabin in the mountains.
As I mentioned, I am a lover of German Expressionist cinema, but also, more whimsical, Georges Méliès. Tim Walker’s photography, Elizaveta Porodina. I think poems like ‘Les Fleurs du Mal’ by Baudelaire, ‘Master and Margarita’ by Bulgakov, all Dostoevsky’s novels, Chopin’s music, biblical themes, art deco buildings... It all shapes my soul day by day.
But to narrow it down to fashion, I have always admired Alexander McQueen, John Galliano, Betsey Johnson, Thierry Mugler, Christian Lacroix, Anna Sui. I am also happy to see the rise of Dilara Findikoglu, as I remember just a few years ago she was a niche inspiration of mine and now she seems to be thriving!

8. What challenges have you faced as a young designer, and how have you overcome them?

It is surprisingly easy to be very harsh on yourself, where instead of reflecting critically on your work and drawing inspirations from others, for the benefit of your own progress, you compare yourself and lose your own creative vision. I am definitely guilty of that; of becoming intimidated by all of those very talented creators in the field. I often felt that I did not fit into any of their boxes—I was afraid I was in the wrong place. I tried to squeeze in, but instead I needed to make my own box, outside of their world.
It is a long process and I am still working on my approach, but one method I like to use—to trick myself—is to imagine the childhood or teen version of me—the one who would be so proud of what I have already accomplished and would, probably, idolize a figure like the person I have become—so I need to look through the eyes of a child—and see it as a way to fulfill my dream and inspire others to search for that for themselves, instead of a ‘duty’ to fill just any niche in the field of fashion.

9. What do you hope to explore next in your fashion journey—any upcoming projects or dream goals?

I do not yet have a single clear idea—but I am used to my process being this way—initially, it is millions of small scraps of ideas, try-outs, concept work, and then the puzzles fall into place and it all suddenly clicks.
Since I have been occupied working with florals and a lot of delicate colors and shapes for many months, I have suddenly felt myself being drawn to more contrasted, androgynous strong silhouettes, old-fashioned sci-fi, robots, the fantasy of futuristic technology, ‘metropolis’, and the poetic language of geometry. Who knows, maybe I will create a science-fiction-robotic-tale?—very likely, judging by the hours I spent playing Kraftwerk in the background, whenever I work!

10. What advice would you give to other fashion students or emerging designers just starting out?

There are plenty, but I think it all comes down to one thing: stay true to yourself.
Be critical but do not be ignorant of what your heart is drawn to. Listen to your intuition and try to always stay passionate about what you are making—then no hardships will ever stop you, because you will feel like you are fighting for this grand goal—for your dream, which makes life worth living after all. Do something that will make you wake up full of excitement in the morning and will put you to sleep dreaming and planning, and looking forward to the next step.
Art is a beautiful and powerful tool—a key to hearts that not everyone can hold. You do not owe practicality to the business. If you create straight from the heart, your art will reach those who need it and it will fill them with hope and inspiration. Do not lose your heart, you will need it in life!
And most importantly, do not be afraid of mistakes—they teach you the most and you will look back on them with fondness!

What shines through Anna Kosidło journey is not only the artistry of the collections, but the resilience and sincerity behind them. Their designs are not meant to simply be worn—they are meant to be felt, experienced, and remembered. By fusing the delicacy of dreams with the drama of cinema, they invite us into a world where fashion becomes a mirror of the soul. As they continue to evolve, one thing is certain: Anna Kosidło is a designer whose work will not only define the present moment, but also inspire the future of fashion with imagination, vulnerability, and daring beauty.

Wardrobe Stylist/Model/Fashion Designer/Makeup Artist/Hair Stylist: Anna Kosidło@the_anna_kosidlo

Creative Director/Photographer/Retoucher: FredBaggenPhotography

@ fredbaggenphotography

https://www.fredbaggenphotography.com

Anna Steele Interview

Creative Director/Photographer/Retoucher: Elena Efanova @efanova_photo

Wardrobe Stylist/Female Model/Makeup Artist/Hair Stylist: Anna Steele @hatenxthing

There are muses who step in front of the lens — and then there are forces of nature like Anna Steele, who claim it. With an aesthetic carved from gothic elegance, seductive power, and unshakable calm, Anna transcends the definition of a model. She is both mystique and magnetism — a modern femme fatale whose presence lingers long after the shutter clicks. In this exclusive interview, Anna opens up about her visual evolution, the magic of self-expression, and the gothic energy that fuels her.

Wardrobe Stylist/Female Model/Makeup Artist/Hair Stylist: Anna Steele

Creative Director/Photographer/Retoucher: Elena Efanova

Your look is striking — a bold mix of gothic elegance and alternative rebellion. What first drew you to this aesthetic, and how has it evolved over time?

I’ve always felt drawn to gothic style and fashion, ever since I was a child. Gothic has held a special place in my heart for as long as I can remember. Something about it seemed so beautifully mysterious and elegant to me. Over time, I explored many variations — Victorian gothic, gothic Lolita, mall goth, gothic metal — each helping shape who I am now. It’s been an evolving journey, but always rooted in dark beauty.

Tattoos can be deeply personal. Which of yours holds the most meaning, and what’s the story behind it?

I love all my tattoos, but the Lilith tattoo on my left arm is the most meaningful. It marked a turning point in my life — the moment I chose to step into tattoo modeling. The figure of Lilith carries deep spiritual symbolism for me: female strength, beauty, intelligence. She reminds me to channel my inner Goddess energy every single day.

In a world that often tries to polish or soften everything, you embrace intensity and edge. What inspires your visual identity and modeling persona?

For me, expressing myself through visuals is an essential part of living, not just modeling. I want to show that you can be edgy, bold, and unapologetically yourself — while still being deeply artistic. There’s power in embracing your true nature and letting it shine through your style and presence.

How do you prepare for a shoot that’s especially dark, sensual, or avant-garde? Do you have a ritual, a playlist, or a mindset you tap into?

I always dive into visual inspiration beforehand — dark art, gothic photoshoots, anything that sets the mood. And music is key. I love listening to gothic metal playlists, especially Type O Negative — they can instantly make you feel like a vampire queen with the very first chord.

The gothic and alternative scenes are full of symbolism — from lace and leather to crosses and chains. What fashion elements or props do you gravitate toward, and why?

I absolutely adore symbolism in the gothic scene — it’s a powerful language in itself. I gravitate toward accessories like chains, crosses, ankhs, and leather pieces. I also love the sensuality of latex and PVC, especially for more fetish-inspired shoots. They let me express duality: elegance with a bite.

Has your body art ever clashed with traditional fashion industry expectations? How have you navigated that tension — or turned it into power?

Interestingly, I had no tattoos when I first started modeling. I made the conscious choice to transform into a tattoo model once I felt truly ready — and I’ve never looked back. So far, I haven’t faced much backlash. There’s growing acceptance and appreciation for diversity now, which works in my favor.

Who are your biggest influences — whether from fashion, music, film, or subculture — and how do they inform your modeling work?

Gothic metal bands like Type O Negative have had a major influence on me. I’m also inspired by classic vampire films and novels like Interview with the Vampire and Queen of the Damned. In fashion, I admire designers like Rick Owens, Vivienne Westwood, and Rei Kawakubo — all visionaries in their own realms.

There’s often a deep confidence in the way alt models express themselves. What does self-expression through modeling mean to you personally?

It means I can be truly myself. I don’t hide behind a character — I become a creative extension of myself, almost like a fantasy version of who I am. It’s a full symbiosis between look, emotion, and energy. It’s freedom.

What role do vulnerability and strength play in your modeling? How do you balance being raw and real while also curating a powerful image?

For me, it’s about not overplaying. I don’t aim for exaggerated emotion or chaotic movement. My style is calm confidence, exquisite femininity, and a subtle but seductive power. I want to be collected, in control — and make you feel that.

If you could create your dream shoot — full creative freedom — what would it look like? Set the scene for us.

I would love to create a shoot centered on a mystical creature in the woods. Something witchy, dark, and dangerous — but irresistibly beautiful. Nature has a sacred place in my heart. Shooting among ancient trees, feeling wild and untamed, would awaken so much inner energy and creativity. That’s where my soul feels free.

There’s something spellbinding about Anna Steele — a rare blend of depth, presence, and visual command.

She is a muse not because she asks for attention, but because she owns her space, her silence, her power. In a world of overexposure, Anna is a quiet storm — and one we’re honored to witness.

SOTIRIOS ZERVOPOULOS INTERVIEW

Sotirios is a visionary fine art photographer whose work transcends traditional portraiture, delving into the realms of darkness, beauty, and raw emotion. With a signature aesthetic that merges theatrical storytelling with haunting elegance, he crafts images that are both evocative and deeply symbolic. His photography is more than just visual artistry—it’s an exploration of loss, passion, and the human experience. In this interview, he offers an intimate look into his creative process, revealing the inspirations, techniques, and philosophies that shape his striking body of work.

What drew you to the dark aesthetic in fine art photography, and how would you define your style?

I always had an affection for fine art. Ever since I remember myself with a camera, I remember trying to imitate a style that resembles dark aesthetics and fine art. But eventually, this aesthetic came naturally. I guess, it has to do with the experiences that each creative has. And mine, drew me here.

How do you balance the elements of darkness and beauty in your fashion and portrait work?

I always try to include theatrical elements in my photography and try to imagine the outcome of each project beforehand. I see myself more as a storyteller than a photographer. But each story needs a certain balance. It is like writing an essay. You do not have to use too many words or jargon. You just need to find the right words and you need to fight it so you can get it right. So, in each photo, if I use too many different elements or include too many props, then the outcome will feel overwhelming. I guess, you must know when to stop adding something in each project.

Your images often have a haunting style. Where do you draw inspiration from—films, literature, or personal experiences?

Most of the times I am getting inspired by personal experiences. Recently, I lost a person that heavily influenced my art. I guess my projects are something like their legacy. The way I see it, is that I created a world in my art. But this world, since it stems from loss, it is covered in darkness, and it is stained in crimson hues (that is a personal taste). There is a haunting element in this world, and I try to show it in my projects. One way to see it, is maybe how I deal with this loss, which made me discover different parts of myself.

How do you approach lighting and composition to create the dramatic mood in your work?

I have a small home-studio, and this is where I do most of my projects. I use two strobe lights and a reflector. This is more than enough to get this aesthetic. Now, when it comes composition, I try to include theatrical elements that usually symbolize something for me. Most of the times it is something personal, but art is universal. So, the viewer, is welcome to interpret what he sees based on their own experiences and feelings. For example, a red rose might represent the past. The loss I mentioned earlier, while a blue rose might represent the future. The viewer though, might perceive them as something else. Maybe just two beautiful flowers or a statement, like there is beauty even in this darkness I try to show with my work.

When working with models, how do you guide them to embody the emotions and themes you envision?

It is very important for me to have a story behind every project. That is the reason why I spend a lot of time trying to shape this story before I organize the photoshoot. Then, before the photoshoot, I sit with the model and tell them this story so they can be part of it. I am asking them which emotions I would like them to show (e.g. grief, loss or frustration). Then, during the photoshoot I let them improvise so they be part of the role and add their touch to the project. You see, I always believed that photography is like a tango. It takes two to dance.

What role does symbolism play in your fine art and fashion photography? Are there recurring motifs in your work?

Symbolism is very important for me. Every single prop and element I add in my art symbolizes something for me and I cannot imagine myself without them. For example, I use crimson hues in most of my photos. Sometimes they are not immediately visible. Other times, they are, like a red veil or rose. Red is a powerful colour, even though it symbolizes loss for me. So now you know. Every time you see red hues in my photos you understand what it means.

How do you incorporate post-processing and editing techniques to enhance the dark and ethereal quality of your images?

Editing is very important, and it is inextricably linked with photography in my opinion. You can take a dull and “boring” photo and create art with proper editing. I spend quite the time in editing and post-processing to see this outcome and try to take care of minor details that most people might not even notice. But they are there. Even the slightest shadow plays its role.

What are some of the biggest challenges of working in dark fine art photography, and how have you overcome them?

I guess the biggest challenge is finding the right collaborators and understand how to play with lighting. Once you figure that out then the rest are easy. Well, except the story. You also need to work on that before each project. After these things then the sky is the limit.

How do you see the intersection of dark aesthetics and mainstream fashion and beauty photography?

That’s an interesting question. I strongly believe that both can coexist even in the same project. But as I mentioned earlier. You just need to find the right balance of both. Then, the outcome, can be splendid.

What advice would you give to photographers looking to develop a signature dark aesthetic while maintaining commercial appeal?

There is only one advice I can give. Invest time and experiment a lot. And finally, find a muse and let her change you art.

Sotirios’ ability to weave narrative and emotion into his fine art and fashion photography sets him apart as a true storyteller behind the lens. His dedication to symbolism, composition, and the interplay of light and shadow results in images that linger in the mind long after they are seen. As he continues to push the boundaries of dark aesthetics while embracing new artistic challenges, his work serves as a powerful reminder that beauty can be found even in the deepest shadows.

Photo: @sozerv

MUA: @my_colorful_life_mua

Model: @lilianrose_vongoeren

BEHIND THE KANJI

Denis Rybalkine and Arthur Morel, the visionaries behind Ryoshi Studio, have redefined how independent brands navigate the digital and visual landscapes. Since its inception in 2014, Ryoshi Studio has grown from a modest web studio to a creative powerhouse that champions authenticity and craftsmanship. With a bold, uncompromising approach to imagery, they elevate brands from obscurity to prominence, transforming their narratives into art. Their commitment to celebrating individuality, coupled with their relentless pursuit of perfection, positions Ryoshi Studio at the cutting edge of modern brand storytelling.

Can you share the story behind the creation of Ryoshi Studio and how it has evolved since its inception in 2014?

DENIS RYBALKINE : Ryoshi Studio was born in 2014, starting out as a web studio. At that time, it was incredibly challenging for small brands to establish a presence online. Our ambition was clear: to offer independent brands an accessible and efficient way to claim their space in the digital world.

Soon, we realized the web was becoming an overcrowded arena. To stand out, we had to leverage what we excelled at-and that was creating powerful imagery. Visuals became our signature. Through bold style and strong visual identity, we captured attention and carved out a unique space for ourselves.

Today, Ryoshi Studio is widely recognized for its visual content creation, though it's only part of what we do. In truth, this is where we pour most of our energy because we know image is the ultimate tool to turn a brand into something desirable, memorable, and irresistible.

What started as a web studio evolved into a creative powerhouse focused on visual impact. And that impact is what makes a brand « sexy » and magnetic. At Ryoshi, we've supported independent brands that lacked the visibility they needed to break through. Our mission was—and still is— to provide these brands with structure, powerful aesthetics, and the exposure they deserve.

For us, a brand isn't just about its product; it's about its story, its emotion, its vision. Through our visuals, we ensure each brand tells its unique tale and shines, even in a fiercely competitive industry.

Ryoshi Studio focuses on supporting independent brands.

What inspired this focus, and why do you think it's important to work with independent creators?

ARTHUR MOREL: We chose to support independent brands because that's where raw talent and authentic craftsmanship truly shine. It's not just about the products themselves; it's about celebrating the passion and creativity that fuel the designers behind them.

Take LULE GARDIA, for example: each piece is truly one of a kind. There's no mass production, no standardization. Lule Gardia is a masterful artisan, a true fashion designer. What captivates you about her creations isn't just the garment itself, but the story it tells-the chance to wear something handmade, crafted by a gifted designer. Owning a bespoke, unique piece is a treasure for those who seek to stand out.

When we started, supporting independent creators wasn't just a choice; it was our reality. Our journey began with SAKU SAKU, a brand that perfectly embodies this philosophy. By showcasing what we could achieve together, other brands took notice and sought us out. This is how Ryoshi Studio naturally became a trusted ally for independent designers.

In today's oversaturated market, standing out has become increasingly difficult. Although staging and visibility are now more accessible, authenticity and exceptional craftsmanship remain the key factors that set creators apart. These qualities are what resonate most in a sea of competition.

Your studio provides everything from professional packshots to editorial content. How do you balance creating visually captivating material while staying true to a brand's identity?

DENIS RYBALKINE: A brand's identity, as we see it, is first and foremost its positioning and message. It's what allows a brand to connect with its audience, evoke emotion, and foster loyalty. This philosophy guides how we craft visual content, particularly photography, to ensure it reflects the unique essence of each brand.

When we create images, we don't aim to rigidly conform to a predefined visual identity but rather to capture the brand's core essence. Take Lule Gardia, for instance: each garment is a handcrafted masterpiece, brought to life by a passionate designer. Through our imagery, we strive to elevate this value, showcasing the artistry and story behind each piece.

« Whisper of the Lineage » was far from a conventional photoshoot. The concept was to explore a meeting between Lule Gardia's world and a new generation. Lenaly wore these garments as if rediscovering them from her mother's wardrobe, reinterpreting them with youthful energy and a rebellious twist. It was about reappropriation, blending generations while remaining faithful to Lule Gardia's DNA.

That said, when it comes to packshots, the approach is entirely different. Here, precision is paramount. These images must be functional and standardized, delivering flawless and consistent presentations. Each photo is designed to seamlessly fit into a cohesive production chain while respecting the brand's image and standards.

Collaboration seems to be at the core of Ryoshi Studio.

Can you walk us through your typical creative process when working with a new client? MODEL: VALENTINA

vision and our visual expertise. We love immersing ourselves fully in the universe of every brand we collaborate with. This immersive approach allows us to not only create the best possible images but also highlight the craftsmanship, passion, and unique style of the creator.

We are very selective when it comes to the brands we work with. It's vital for us to feel confident that our work will bring real value to their vision. It's not just about producing images; it's about deeply aligning with the creator's universe, appreciating their style, and believing in their potential. We won't help grow a brand we don't genuinely believe in.

What excites us the most is discovering creators with exceptional craftsmanship and helping them elevate their art through imagery. Independent creators are often the most authentic: they have a true mastery of their craft and invest meticulous care into every product. This individuality is what inspires us and gives purpose to our work.

We often begin the process with a fitting session involving models. This moment is invaluable as it allows the creator to see their pieces from a new perspective, observing how they come to life and move on a model. It's also a critical step for us, as it helps us start envisioning the creative direction for the visuals. The fitting session enables us to style the products in line with the brand's identity and lays the groundwork for imagery that captures the essence of the product.

What role do trends in photography and design play in your work, and how do you ensure your content stays relevant while remaining unique?

ARTHUR MOREL: Trends have no place in ACCESSORY DESIGNER/CREATIVE DIRECTOR/ our work. We don't aim to follow what's "in" or DENIS PUBLICATION/FASHION RYBALKINE: At Ryoshi, DESIGNER/MAKEUP collaboration ARTIST/ popular at a given moment. Instead, our misis HAIR much more than just STYLIST/RETOUCHER/PHOTOGRAPHER: a step in the creative sion is to elevate the creations of the indepenDARIA SOVA @SKAZKI.SOVY process—it's the essence of our work. For us, dent designers we collaborate with, completely it's about a true fusion between the creator's free of fashion diktats. To us, these creators are the ones who truly write the story of fashion. By disregarding codes and conventions, we highlight what is authentic, soulful, and unique.

We are perfectionists in our craft. Every image we create is a standalone work of art, a painting where every detail matters. We only keep what feels like the very best-what resonates deeply. Our process is instinctive: every shoot is an adventure driven by improvisation and spontaneity. What matters most is the feeling, that magical instant when everything aligns. The photos we choose are the ones that capture a true connection with the model, a unique vibration in the moment.

Our style stands out for its raw and immediate character. We don't create rigid or overly polished visuals; instead, we capture living, authentic moments. A recurring comment we hear is that our style is unique, with a distinctive vibe that runs through each image.

Many independent brands face challenges with visibility and audience retention. How does Ryoshi Studio help brands overcome these obstacles?

ARTHUR MOREL: For us, visibility starts with activation. As soon as a brand begins to take shape, we work to generate attention around it. This often starts with collaborations involving models and by spotlighting the behind-the-scenes moments of the creative process. These backstage glimpses, often just as captivating as the final product, establish an emotional connection with the audience. People are naturally curious about what happens in the shadows before a product is officially unveiled.

One of the keys lies in quickly activating a community around the brand. The sooner this buzz is created, the faster the brand finds its audience. By sharing these intimate moments and revealing not just the product but also the creative process, we foster authentic engagement-

What makes a brand visible and desirable is its uniqueness. Rarity drives demand, and this is precisely what we highlight in our work. The brands we collaborate with produce one-of-a-kind pieces, and our images naturally become an extension of this exclusivity.

But our support goes beyond just creating images. We help our clients maintain a consistent and impactful presence on their channels. Audience loyalty is built on both the quality and regularity of content. We work closely with each creator to identify and reach the most suitable audience for their products. Our campaigns are designed to evolve with seasons and collections, ensuring a strategy that always aligns with the brand's needs.

As a photographer, what are your favorite styles or techniques to use when creating visual content for brands, and how do they reflect the brand's message?

DENIS RYBALKINE: 1 draws immense inspiration from the works of Manfred Mugler, particularly his photography from the 80s and 90s. These images are both avant-garde and timeless, and that unique blend truly captivates me. My approach is to modernize this classic style, adding a contemporary twist while staying true to its essence. The goal is to maintain this striking aesthetic while adapting it to today's visual language.

One of my favorite techniques is falloff. Unlike highly contrasted lighting, this method uses exceptionally soft light on the subject while creating a sharp contrast with the background. This highlights the model or object, adding subtle depth to the image. Each photo becomes a story in itself, striking yet unobtrusive.

This visual style, blending modernity with purity, also mirrors my philosophy: to highlight what is unique and valuable. The creations of the independent brands I collaborate with deserve a spotlight that transcends fleeting trends. By giving them this timeless dimension, I see them as true works of art that can stand the test of time while remaining relevant.

What has been the most challenging project Ryoshi Studio has worked on, and how did your team overcome those challenges?

DENIS RYBALKINE: The most challenging project I've undertaken for Ryoshi Studio was working with artists like Louane Lesec. Unlike a traditional shoot for a brand, where the product is the main focus, the challenge here was far more intricate: visually connecting the artist's personality with their image. It wasn't just about taking a great photo; it was about going deeper to reveal their essence, their true identity. For a visual creator, this is a far more profound challenge than enhancing a product, as the human element brings an emotional depth that must shine through in every image.

While I usually prefer collaborating with brand creators, I choose to work with one or two artists a year. These projects demand total immersion into their universe. It's not just about technical execution or aesthetics; it's about crafting a brand image, finding the chemistry between the artist and the lens.

What I love about this process is the transformation. Elevating a model or artist, taking them to a level where they transcend their usual image, is what turns a simple photo into a piece of art. These projects, though intense, push me to explore new ways of telling unique visual stories and to constantly challenge my own creative boundaries.

How do you view the relationship between visual content and storytelling in branding, and how does your studio bring this to life in your projects?

DENIS RYBALKINE: For us, the connection between visual content and storytelling in branding is often overstated. Sure, you can tell a story at a specific moment, but a single image on its own can't convey everything. The real narrative comes to life in the editing process, in how the content is published and shared.

The true story, in our opinion, lies in the behind-the-scenes moments. The process of creation, the vibe on set, the interactions between people-this is where the real narrative takes shape. At Ryoshi, we focus on capturing and sharing these moments beyond the final images. These raw, authentic glimpses create a stronger emotional connection with the audience.

That said, when working with artists or personal brands like Louane or Daniela, storytelling becomes much more central. In these cases, light is the key tool, almost like a character in itself. I sculpt the light around the subject to express a mood or set a tone: dark, bright, soft, saturated. This use of light creates an atmosphere, and it's that atmosphere that hints at a story, even if it's more of a feeling than a structured narrative.

Branding at Ryoshi is also a process of evolution. We don't see it as a fixed step but as something that grows alongside our collaboration with a brand. Each collection or project can have its own visual identity, and we adapt our visuals to reflect these changes. This flexibility allows us to push a brand's identity to its fullest potential while leaving room for experimentation and innovation in every shoot.

Looking ahead, what are your aspirations for Ryoshi Studio, and how do you envision supporting independent creators in the future?

ARTHUR MOREL: At Ryoshi, we firmly believe that unity makes us stronger. This belief inspired Independent Fashion, an ambitious project designed to bring together independent creators on a collective platform aimed at showcasing and supporting their work.

This initiative is both physical and digital, unit-ing Parisian independent brands. Independent Fashion will not just be a media outlet but a true marketplace dedicated to unique creations and exclusive collections. Alongside this, we plan to open a pop-up store in Paris, hosting events such as private sales and fashion shows. This space will become a key meeting point for creators and their audiences.

One of our main goals is to bring together around ten brands under this label, promote their work through features in independent media, and offer an integrated photo studio within the pop-up store. This studio will allow brands to photograph their pieces quickly and professionally, maintaining high standards of quality. We aim to offer an alternative to traditional channels by highlighting the uniqueness and authenticity of independent brands in a lively and dynamic setting.

In the long term, we envision evolving this project with a focus on seasonality. Through a regular rotation of creators, we aim to encourage collaboration between brands, inspire creativity with seasonal collections, and uphold the independence that makes these talents so special. Independent Fashion is more than just a project; it's a budding community, an ecosystem dedicated to innovation and the growth of independent creators.

Denis Rybalkine and Arthur Morel have built more than a studio—they’ve crafted a legacy for independent brands that value creativity, authenticity, and craftsmanship. By combining visionary techniques with an acute understanding of what makes each brand unique, Ryoshi Studio bridges the gap between art and commerce. Their passion for individuality and storytelling ensures that the brands they collaborate with are not only seen but also remembered. With Denis and Arthur at the helm, Ryoshi Studio is set to continue shaping the future of independent fashion and design for years to come.

Tatiana Drok Interview

Tatiana Drok is a visionary force in the world of fashion photography, known for her seamless transition from costume design to capturing breathtaking images that have graced the pages of high-end magazines and campaigns for prestigious brands. What began as a solution to a shortage of photographers who could capture her designs evolved into a thriving career that reflects her unique artistic sensibility and deep understanding of fashion. With an innate ability to interpret a client’s vision and a remarkable intuition for future trends, Tatiana has redefined the role of the photographer as both an artist and a storyteller. Her work stands as a testament to her dedication and her talent for bringing elegance, innovation, and soul to every project she undertakes.

What first drew you to fashion photography, and how did you transition into glossy magazine shoots and high-end fashion projects?

I became a photographer because, as a costume designer, I was sorely lacking professionals in the field of fashion shoots for my products. I decided to try to shoot my costumes myself as I see and feel them. I succeeded, and my work as a photographer has been highly recognized by designers and brands. I became so passionate about photography that I stopped being a designer. Now I only create images

Can you share a memorable story about a project where you were able to bring a client's vision to life in a unique way?

I consider all my work unique in some way. In order to create a good product, I let the brand philosophy come through my vision and feelings and get to know the client’s inner world more deeply through their profile and references. I find it important to discuss together the style in which the client wants to shoot. I bring the client to a “picture from their imagination.”

When working with well-known brands versus emerging brands, do you approach your shoots differently, or is your creative process consistent?

Usually, big-name brands have a clear set of requirements, and here it is important not to deviate from the set course. It’s essential to professionally hear the client’s desire, observing all the nuances and requirements—no amateurishness unless it’s asked for.

For a start-up brand, everything is not as strict, and the photographer often acts as an artist who comes up with the idea and concept. All in all, everything is individualized.

How do you generate fresh ideas for each shoot, especially with the fast pace and constant evolution in the fashion world?

Things work themselves out. I see a cool location, and immediately, in my imagination, I have an idea of what and how to shoot there. It’s all somewhere inside me, in the factory settings. I can’t explain it—I just feel it, and everything happens by itself.

What challenges have you faced in the international publishing world, and how have they shaped your approach to photography?

Many magazines exist through advertising, and that’s fine; only a few publications maintain some kind of identity and their own style without relying on monetization. I’m sure that the rating of a publication largely depends on the taste of the editorial staff. How popular a magazine is depends on the desire to get into it, which means there’s a contest basis or financial guarantee.

I prefer the contest! I love getting covers.

How does your background in design influence your photography style and creative direction on set?

Education and experience don’t just influence; they help you navigate your own style, finding what is particularly cool and in demand. It’s what they come to you for.

What role do trends play in your work, and how do you balance them with your unique vision to stay relevant in fashion?

I have an amazing ability to sense future trends. This is probably due to the fact that, during my time as a designer, I developed a keen eye for trends and am constantly learning about related trends.

How do you stay inspired and continuously push creative boundaries, especially when collaborating with top-tier brands and magazines?

My inspiration is inexhaustible, and while creating my work, I willingly share the result with everyone who lacks it. I would love to never run out of funds for creative projects and to find sponsors for them as well.

What are your aspirations for the future of your career, and are there any dream projects or brands you’d love to work with next?

I prefer to keep all plans and dreams a secret; otherwise, they are not destined to come true. But I really hope that I will be able to realize at least part of my plans.

Conclusion: As Tatiana Drok continues to evolve her craft, she remains a beacon of inspiration for aspiring creatives, and her work speaks to her rare ability to merge style with substance. Her background in design, combined with an unwavering passion for photography, has allowed her to push creative boundaries and cultivate a personal style that resonates globally. Tatiana’s journey is one of relentless creativity and vision, and her aspirations for the future promise even more groundbreaking work. Through her art, she invites us to see fashion not merely as an industry, but as a canvas for profound expression and beauty.

Photo: @droktata_photo_vibe

Fashion: @butaforfreak

MUA: @thepavlovaanna

Hair: @trend__hairstyles

Model: @mariaa.rodkina

Oliver Rindelaub Interview

Photo: @oliver_rindelaub

Model: @cassidyrose_ofthedevilsgarden

Model: @lady.kikki

In the world of photography, every artist has a unique journey that shapes their creative vision and craft. Today, we have the pleasure of speaking with an exceptional photographer whose passion for fashion photography began in high school and has evolved into a career filled with captivating editorials. Their journey from commercial photography to the dynamic world of fashion allows them to create more than just images—they build stories, seamlessly blending the art of lighting, composition, and concept. Join us as we explore the creative process, inspirations, and challenges behind the lens with this talented photographer.

1. Can you share the story behind how you first discovered your passion for photography?
   I started photography in high school and took an apprenticeship in a studio for commercial photography. Many years later, in 2017, I found my passion in fashion photography since it is more than simply taking portraits. It adds elements of product photography and aspects of the world we live in.

2. What themes or subjects do you find yourself drawn to the most, and why?
   Fashion editorials are the field I like to explore. It’s not about taking a single shot but building a story and following a concept, which often has a deeper purpose in the designer’s mind. Understanding the concept behind the fashion and translating it into pictures and videos is the real task for the whole team.

3. How would you describe your photographic style, and how has it evolved over time?
   My photographic style for fashion photography is clean, pure, and handmade without a lot of editing or additional after-effects. In the beginning, I used heavier color grading, but now it’s quite reduced, mostly done with lighting on the set. Over the years, I’ve also transitioned from portrait lenses to wide-angle lenses to incorporate more of the location into my fashion stories.

4. What role does lighting play in your work, and how do you approach capturing the perfect light for a shot?
   Lighting is always tied to the concept of the fashion editorial. The mood, location, and story behind the fashion all dictate the lighting. For example, in a recent dark gothic fashion editorial, we used a hallway behind our studio with a big elevator to create a spooky mood. I combined colored LED lights with additional flash for the fashion and models’ faces to achieve the desired effect.

5. Which photographers or artists have influenced your work, and in what ways have they impacted your creative process?
   I admire classic portrait photographers from the 1930s and 1940s, like Edward Steichen, Horst P. Horst, and Irving Penn, who were masters of light. I also love modern classics like Richard Avedon, Herb Ritts, and Albert Watson. And of course, Tim Walker—an absolute genius in fashion photography.

6. Can you walk us through a memorable photoshoot experience that had a lasting impact on your approach to photography?

   
   In 2017, I had my first “real” fashion photoshoot. I worked on a project in a hotel suite with three models and another photographer. We had matching outfits for the models and built a storyline. This photoshoot became my first magazine publication, and I realized how much I loved conceptual shoots. The key lesson: always work with a concept, a moodboard, and a story.

7. How do you balance the technical aspects of photography with the creative vision you want to achieve?
   The more experienced you become with your gear, the more flexibility you have in creating the light that fits your vision. In commercial work, you might have to meet the client’s exact expectations, but in my personal projects, I tend to use reduced gear. Sometimes, even a small speedlight can be enough, depending on the mood you want to create.

8. What challenges have you faced as a photographer, and how have you overcome them?
   The biggest challenge is finding the paid kind of work that I love. Fashion editorials are fantastic to shoot, but finding companies that will fund them is tough. In the meantime, I work with creative people—models, designers, makeup artists, and stylists—for portfolio projects. I also look for sponsors, mostly small businesses, who can’t afford big photo productions. The key is to deliver consistent, high-quality work over many years. Although I’d love for paid projects to grow faster, there’s no skipping the process.

9. How do you stay inspired and push the boundaries of your work when tackling new projects or concepts?
   I’m often drawn to fashion creations that I don’t initially understand. This curiosity—asking myself “why?”—is what drives my photography. Every new project is a puzzle, and I love piecing together elements that I’m familiar with, while always adding one new, unexplored ingredient.

10. What advice would you give to aspiring photographers who are just starting out in the industry?
    If I knew the recipe for success in the fashion industry, I’d gladly share it. But my advice to beginners is to persist. In my experience, it takes about three years to specialize in any field. Focus on your favorite area, like fashion, and after three years, decide if you want to continue or explore a new path in photography.

Conclusion:

Through dedication and a deep connection to fashion and storytelling, this photographer has mastered the delicate balance between technical precision and creative expression. From the subtle play of light to the artful collaboration with designers, their work consistently pushes boundaries and invites audiences into a world of visual storytelling. As we conclude, we are left inspired by their commitment to the craft and the thoughtful advice they offer to aspiring photographers—persist, explore, and always seek to understand the "why" behind every shot.

IVAN CROSS INTERVIEW

Ivan Cross is a multifaceted artist and model whose work transcends boundaries, blending creativity, boldness, and an unmistakable allure. With an artistic journey shaped by passion and a deep understanding of visual storytelling, Ivan’s unique perspective has captivated audiences both on the runway and in front of the camera. His striking presence, combined with an innate ability to channel emotion through his art, has made him a standout figure in the world of fashion and creative expression. As someone who seamlessly merges the worlds of modeling and art, Ivan continues to redefine what it means to be a modern-day muse.

Ivan, your creative journey spans multiple fields, from modeling and photography to creative direction and now music. How do you find balance between these different artistic expressions?

They're all just different ways to express the same vision. Each project feeds the other, and music feels like the next step in telling my story. The balance happens naturally that way.

As a model, your visuals are known for their unique style and powerful presence. How do you approach embodying different concepts and characters in front of the camera?

I focus on the emotion behind each concept. It’s less about playing a character and more about channeling a feeling. I let the mood guide me — well, and fashion, of course.

Your visuals are known for their striking and innovative nature. Where do you draw inspiration from, and how do you translate that into your artistic work?

Inspiration comes from everything — art, people, places, even small moments. I’m always observing, and I let those impressions blend together. Translating it into my work is more instinctual, like capturing a feeling in the right visual form.

As someone deeply engaged in human rights activism, how do these experiences shape your artistic perspective and the stories you choose to tell through your projects?

Being involved in activism has changed the way I see things. Feels like It’s added layers to my perspective, and that naturally finds its way into the stories I tell. There’s always something deeper “beneath the surface”.

With your upcoming music project, you’re stepping into a new creative realm. Can you share what sparked your interest in music and how this project differs from your previous work?

Music has always been in the background for me, something that’s been waiting for the right moment. This project feels unique because it lets me step away from the visual and dive into something more intangible, where emotions take the lead.

Given your involvement in such diverse creative fields, how do you see your artistic identity evolving in the coming years?

I see my identity becoming more fluid, blending all the different fields. It’s about exploring their intersections and pushing boundaries, wherever that takes me.

Creating this project entirely on your own showcases your versatility and vision. What message or emotion do you hope viewers experience when they see this body of work?

I aimed to convey the tension between what’s seen and what’s hidden. The reflections and distortions suggest that something deeper lies beneath the surface, inviting viewers to look beyond and question what’s real.

Can you tell us more about your experiences volunteering at Hollywood City Hall and how this community engagement impacts your artistry?

I started volunteering at Hollywood City Hall through my manager and friend, who’s deeply involved in the community. It wasn’t something I planned, but being part of that world has changed the way I think about life. It's given me a new perspective and influenced my art, connecting it more to real people, stories and problems.

What advice would you give to other artists and models who want to explore different mediums and push the boundaries of their creative comfort zones?

Don’t be afraid to take risks and embrace the unknown. Stepping into a new medium can feel uncertain, but that’s where the real growth happens. Trust your instincts and let each form of expression guide you in new directions.

With so many projects and responsibilities, how do you stay motivated and inspired to continue pushing your creative boundaries?

I find motivation in the constant evolution of my ideas. When I challenge myself to go further and explore the unexpected, it keeps the creative process engaging and fresh.

Ivan Cross’s creative journey is a testament to his commitment to self-expression and the power of art in shaping identity. With each project, Ivan pushes the boundaries of his craft, challenging conventions and inspiring those around him. His talent, versatility, and authenticity shine through, making him not only a model to watch but an artist whose impact will undoubtedly leave a lasting imprint on the industry. As Ivan continues to evolve, we can only anticipate more groundbreaking work from this extraordinary talent.

Q&A Interview with Cheryl Adam

Q1: Darkly Magazine has carved a unique niche in the fashion world. How did the concept for Darkly Magazine originate, and what inspired you to focus on the darker, edgier side of fashion?

Cheryl Adam: The concept for Darkly Magazine was born out of a desire to explore the intersection of fashion and the darker aspects of human experience. I’ve always been fascinated by how fashion can express not just beauty, but also the complexities of emotions like melancholy, rebellion, and mystery. There was a gap in the market for a publication that didn’t shy away from these themes, and that’s where Darkly found its place. We wanted to create something that resonates with those who appreciate the art of fashion as a means of exploring the shadows, not just the light.

Q2: What are the biggest challenges you’ve faced in maintaining the magazine’s unique identity in an industry that is constantly evolving?

Cheryl Adam: One of the biggest challenges has been staying true to our vision while adapting to industry changes. The fashion world is incredibly dynamic, with trends shifting rapidly, and it can be tempting to follow the mainstream to stay relevant. However, Darkly Magazine’s strength lies in its distinct voice and aesthetic. We’ve had to balance staying current with ensuring we don’t lose the essence that makes us unique. It’s a delicate dance between evolution and authenticity.

Q3: Darkly Magazine is known for its bold, avant-garde editorials. Can you walk us through the creative process behind curating an issue, especially since much of your content comes from submissions?

Cheryl Adam: Darkly Magazine thrives on collaboration, so our creative process is quite unique. We don’t have a dedicated in-house team of photographers or stylists; instead, we rely heavily on submissions from talented creatives around the world. Each issue begins with a thematic concept, and we put out a call for submissions that align with that theme. We receive a wide range of content, including fine art, digital art, photo manipulation, and more traditional photography. As submissions come in, we carefully review them to see how they fit into the narrative we’re crafting. It’s like piecing together a puzzle—each contribution adds a different layer to the story we’re telling. We’re always amazed by the diverse interpretations of our themes, and it’s that diversity, combined with the blend of different artistic mediums, that gives each issue its depth and richness.

Q4: That’s a lot of work, and I assume now that you get more and more submissions to your magazine. How do you manage the influx of content?

Cheryl Adam: It is indeed a lot of work, and as Darkly’s reputation has grown, so has the volume of submissions we receive. We’ve developed a robust review process to manage this influx. Our team carefully reviews each submission to ensure it aligns with our themes and aesthetic. It’s a time-consuming process, but it’s essential to maintaining the high standards our readers expect. We’re fortunate to have a passionate community of contributors who understand and embody the spirit of Darkly, which makes the selection process both challenging and rewarding.

Q5: What advice would you give to photographers, fashion designers, makeup artists, and other creative individuals who want their work featured in magazines like Darkly? How can they create a compelling series of photos to submit?

Cheryl Adam: My advice to creatives who want to be featured is to focus on storytelling. A great series of photos isn’t just about beautiful images—it’s about conveying a narrative or emotion that resonates. Start with a strong concept that aligns with the magazine’s theme, and build your shoot around that idea. Pay attention to details like styling, composition, and mood, and make sure everything supports the story you’re trying to tell. Originality is key; don’t be afraid to push boundaries and explore new ideas. Once you’ve created something you’re proud of, the next step is to ensure your submission is professional. Include a well-written statement that explains your concept and how it fits with the magazine’s theme.

Q6: How do they submit their work to Darkly Magazine?

Cheryl Adam: Submitting to Darkly Magazine is straightforward. We regularly post open calls for submissions on our website and social media platforms. These calls detail the themes we’re focusing on for upcoming issues, along with submission guidelines. Creatives can submit their work through our submission page on Kavyar, ensuring they follow the guidelines provided. We review each submission carefully and select those that best fit the theme and aesthetic of the issue. It’s a highly competitive process, but we encourage all creatives to take a chance and share their work with us.

Q7: As Editor-in-Chief, how do you decide which trends or themes are featured in Darkly Magazine?

Cheryl Adam: We look for themes that challenge conventional fashion narratives and resonate with our audience’s desire for something different. I’m constantly inspired by art, music, and cultural shifts, and these often inform the trends we explore. We avoid trends that feel fleeting or superficial; instead, we focus on those that have a deeper, often darker, underlying message. Our aim is to feature content that not only looks good but also sparks conversation and introspection.

Q8: In today’s digital age, how has social media influenced the way Darkly Magazine connects with its audience?

Cheryl Adam: Social media has been a powerful tool for us. It allows us to engage directly with our audience and gauge their reactions in real-time. Platforms like Instagram and Pinterest are particularly effective for showcasing our visual content, which is a huge part of our identity. We’ve also used social media to create a community around the Darkly brand, where followers can share their interpretations and experiences of our themes. It’s not just about promoting the magazine; it’s about building a dialogue with our readers and creating a space where they feel seen and understood.

Q9: What advice would you give to aspiring editors who want to create a magazine with a distinct voice like Darkly?

Cheryl Adam: My advice would be to stay true to your vision and not be afraid to take risks. Creating something with a distinct voice means you’re not going to please everyone, and that’s okay. Find your niche and focus on what makes your perspective unique. It’s also crucial to build a strong team that believes in the vision as much as you do. Collaboration is key, but so is knowing when to hold firm on your ideas. Lastly, be prepared for the hard work—editing a magazine is a labor of love, but if you’re passionate about it, the rewards are worth it.

Q10: Looking ahead, what are your plans for the future of Darkly Magazine? Any exciting projects or themes on the horizon?

Cheryl Adam: We’re constantly pushing boundaries, and the future of Darkly Magazine is no exception. We’re exploring new ways to blend fashion with other art forms, such as film, to create immersive experiences for our readers. Additionally, we’re excited to be working on apps that will enhance how our audience interacts with our content. These apps will offer unique features that go beyond what traditional print and digital formats can provide, making it easier for our readers to engage with our themes and content on a deeper level. Without giving too much away, I can say that our upcoming projects will continue to challenge the norm and invite our audience to see fashion through a darker, more complex lens.

Conclusion:

Cheryl Adam’s leadership at Darkly Magazine is a testament to the power of staying true to a vision while embracing innovation. Her dedication to exploring the darker side of fashion and her commitment to providing a platform for diverse artistic voices have made Darkly Magazine a standout in the industry. As Cheryl and her team continue to push the boundaries of fashion publishing, it’s clear that Darkly Magazine will remain a beacon for those who seek something beyond the ordinary in fashion and art.

Follow Darkly Magazine on Instagram @darklymagazine #darklymagazine for a chance to get featured!